Street Quotes
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I've always had that maternal thing: that connection with street kids and people who are misfits.
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After six years at Le Cirque, I decided to start my own business. I opened Daniel at 76th Street in May '93.
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'Sesame Street' is awesome - not only because they teach, edify and entertain kids but because they savvily make it possible to do so with parental engagement, because the show is loaded with references for Mom and Dad.
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When I started at Ricci, I did street wear for very cool, young girls, but the price point was for the fourth floor of Bergdorf Goodman next to Carolina Herrera. My cool girls cannot afford it.
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In market research I did at Microsoft Corp. in the early 1990s, I estimated that the 'Wall Street Journal' took in about 75 cents per copy from subscribers, $1.25 at the newsstand and a whopping $5 per copy from ads. The ad revenue let them run a far bigger newsroom than subscribers were paying for.
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I wrote poems in my corner of the Brooks Street station. I sent them to two editors who rejected them right off. I read those letters of rejection years later and I agreed with those editors.
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There were uncles in my life that definitely knew the street life.
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At one point, we were across the street from the Sharon Tate house; at another, we lived in Elvis's old Bel Air bachelor pad. It was where he first met the Beatles.
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The first autonomous cars date back to the late 20th century. But recent increases in sophistication and reductions in cost - reflected, for example, in cheap LIDAR systems, which can 'see' a street in 3D in a way similar to that of the human eye - are now bringing autonomous cars closer to the market.
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If somebody smiles at me on the street, I'm like, 'Hi, have a nice day!'
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I do ballet and pointe work. I also do tap, commercial jazz and technical jazz, freestyle street dancing.
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Food Stamp recipients didn't cause the financial crisis; recklessness on Wall Street did.
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I was one of those girls in class who always had her hair in plaits, was always with the boys, always playing football in the street.
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I am that weirdo that chooses the difficult route down the side of the street.
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We spent most of our life almost like street rats just running around the street until we were ten years old.
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Getting recognized on the street is fine, but I never really wanted to be famous.
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I'm not a guy that ever got in a fight on the street and with the public and everybody.
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I get 'USA Today,' the 'New York Times,' 'Wall Street Journal' and the 'Star-Telegram' at my doorstep. I can't do without them.
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The way I see it, I can either cross the street, or I can keep waiting for another few years of green lights to go by.
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I make images from things I find serendipitously. I don't know what it is, but I know it when I see it. It could be from a newspaper, on the street. It could be something I fell over.
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In the nineties, it was common to see people who expressed themselves through one designer - the Jil Sander woman, the Martin Margiela woman. You saw her on the street, and you knew who she was.
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The stream in my hometown Calgary is the oil and gas industry - that's the talk you hear on the street.
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I grew up in a modern home, but my grandmother lived across the street in an old house that was built when churches were illegal in Mexico. She had a chapel in the home, right between the kitchen and dining room.
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I was for two years a pupil at the Model School in Fort street which was then conducted upon the Irish national system, and if any special religious instruction was given in connection with that system, I do not recollect it.
