Literature Quotes
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I thought I had to write literature and add my name to the list of great Southern storytellers. Fortunately for me, no one wanted to read any of those stories. They got rejected by everyone. Sometimes, I would get a note saying they liked the writing, but the story simply didn't work.
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Environmental concern is now firmly embedded in public life: in education, medicine and law; in journalism, literature and art.
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Literature speaks the language of the imagination, and the study of literature is supposed to train and improve the imagination.
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There is in fact no such thing as art for art's sake, art that stands above classes, art that is detached from or independent of politics. Proletarian literature and art are part of the whole proletarian revolutionary cause.
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Literature is a beautiful way of keeping the imagination alive, of visiting worlds you would never have time to in your day-to-day life. It keeps you abreast of a wider spectrum of human activities.
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Literature is memory written down. All literature is memory.
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There are two methods for the literary study of any book - the first being the study of its thought and emotion; the second only that of its workmanship. A student of literature should study some of the Bible from both points of view.
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I believe all literature started as gossip.
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I think Henry Miller has had huge influence not because he wrote about sex, but because the memoir or the nonfiction novel has become such a monumental force in American publishing, if not in literature.
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I don't hate language. I have my own language, but I also enjoy the English language. Obviously, you don't read a lot of literature and not care about language.
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Secret families are really the bedrock issue of Western literature.
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A lawyer without history or literature is a mechanic, a mere working mason; if he possesses some knowledge of these, he may venture to call himself an architect.
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In fact I enjoyed every minute of my life at King's, especially the discovery of French and German literature.
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The Grimm collections were never intended for children. Not because kids were excluded, but because the division we make today of children's literature didn't exist then. The idea of protecting children from tales with violence didn't occur until the earlier part of the 19th century.
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When I began I thought that literature was contained within a bubble that somehow floated above the world commented upon by newspapers. But I became more and more interested in trying to include some of that world within my work.
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Our most fundamental social need, it turns out, to my amazement, is love. Now, I'm not a hippie-dippie whatever. If you look at the literature, our most fundamental need for children is an environment of maximum love, and that they can be hugged, kissed, and loved. That's what humanises us and allows us to realise our whole dimension.
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If the future, as imagined in literature, is really the present taken to extremes, then the past is also the present, but boiled down.
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Virginia Woolf's literature really transformed my own ideas about how to formally represent the passage of time and how time affects us. Specifically, the benchmarks are 'Mrs. Dalloway,' 'To the Lighthouse' and 'Orlando,' all of which have time as a central conceit.
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I would ask: Given the nature of free-market capitalism - where the rule is to rise to the top at all costs - is it possible to have a financial industry hero? And by the way, this is not a pop-culture trend we're talking about. There aren't many financial heroes in literature, theater or cinema.
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I like to be surrounded by books. My wife Evelyn has a Ph.D. in comparative literature, so we have a lot of her Spanish and German literature books which are wasted on me, plus a lot of novels and books on art and architecture shared by us both. Evelyn used to edit an art magazine called 'FMR,' so we have a common interest in design.
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Culture - art, music, literature - is the long game, because it's the way to change people's ideas in a more personal way.
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American literature has never been content to be just one among the many literatures of the Western World. It has always aspired to be the literature not only of a new continent but of a New World.
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The adolescent protagonist is one of the hallmarks of American literature.
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I think the job of writing and literature is to encourage each one of us to believe that we're living in a story.