Director Quotes
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Snow Cake is a lovely film. Really proud of that. We shot it in 21 days. I thought Sigourney was amazing in it. And very, very accurate. I think there was some element that thought she had pushed it too far. But not at all when you do the amount of homework she had done and spent the amount of time she did with adult autistics. She was right on the money. And I think Marc Evans is a terrific director. He's a sweet, open, honest man and a really good director of actors.
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Usually in features, I'm the lead. I consider the director the captain, but I consider myself the first mate, and it's up to me to keep in contact with the heart of the crew.
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I may be a star in the South, but when I go to Bollywood, I am a clean slate, a white paper. Whatever the director makes of me is what I will become for the audience.
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I am not a director or a writer, but a filmmaker.
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Getting into Sundance is such a big platform for a director.
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One has the responsibility to oneself, to the writer, director and the people who put up the money, to put out the best of what one has experienced and understood about the human condition as it relates to the role one has been hired to portray.
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I suppose where I am sort of reflects the work I have chosen to do. Are there occasional frustrations because I can't work with a certain director because it's a big studio movie, and I don't have enough of a studio profile? The answer is yes. But generall... generally, I have the career I have chosen myself.
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It's natural for any actor that segues into directing to be an actor's director. You know how to relate to the actors.
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I'm doing a little consulting. I'm somewhat retired, still a director of a company or two.
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What happens is things come to you - director, script - and if you respond to it, it's because it's tapping into some part of what's inside you, and different roles tap into different parts.
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Visual elements are, of course, the director's job.
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Sucking up to a director means you are unsure of your talents. I'm not.
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The problem with independent films is that they can be hit or miss. I've seen scripts that have blown me away. But there have to be all the right ingredients in place to make them work: the director, cast, publicity, distribution.
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That's how I am as a director - if somebody does a really good take, I can't help it, I'm not even aware of it. Actors really, really need positive reinforcement.
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The audience has always been my best director.
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After I completed the project for BCG, I was offered the position of Director of Marketing for Ozon.ru.
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A lot of the stuff that's happening now, I can trace back to 'Death of a Salesman.' Francine Maisler, the casting director, saw 'Death of a Salesman' and called me in for 'Unbroken.' The casting director of 'Normal Heart' had seen 'Salesman' too. I look back on it now, and it's like one thing led to another; it was a chain reaction.
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I'm really a director's actor. I rely heavily on a director.
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A film is a director's vision... there is, however, much input an actor or actress can have.
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I've stood up to producers before, and even a director. I saw them being abusive. A lot of people on the set are scared to say stuff when they're not being treated right.
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Out of nowhere, I became a fairly well-known director with a penchant for opera, which I did for 10 years. Then I realized I was taking myself out the theater channel, and so I re-focused on theater.
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Do you know what I'm working on now? My first feature as a director.
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If a director brings a guy to their movie who does improv, they've got to let him do what he does - otherwise it's like bringing Michael Jordan to your basketball team and telling him to just pass the ball and don't shoot.
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A lecturer once told me I could never be a director. I was 16. I believed him.
