Romantic Quotes
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Yeah, but there's nobody who represents romance to me like Cary Grant.
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It is certainly true that writers take a stance at some variance from organized religion. This has not always been true. But since the romantic movement - and I'm referring now exclusively to poetry - the emphasis has been on the individual imagination defined against, rather than in terms of, any orthodoxy.
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There's something about marriage that is not as intensely romantic or interesting as a couple's first meeting.
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I think there is always romantic tension between Lois Lane and Clark Kent.
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When I start to write, words have become physical presence. It was to see if I could bring that private world to life that found its first expression through reading. I really dislike the romantic notion of the artist.
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My passion is capturing what it feels like to love, be it romantic or otherwise. I love to watch two people realize what they meant for each other - and that goes across all media, books, TV, movies, personal essays; everything.
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It's been such a deep and amazing journey for me, getting close to John Keats, and also I love Shelley and Byron. I mean, the thing about the Romantic poets is that they've got the epitaph of romantic posthumously. They all died really young, and Keats, the youngest of them all.
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I think there are certain tenets set in place for all different types on genres. For thrillers, women usually die first. I can't say exactly why, and it's kind of a bummer... But I also can't explain why the wallflower girl in the romantic comedy always gets the guy in the end. That's just the way those movies go.
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Everyone who knows me knows that I'm a hopeless romantic who listens to love ballads and doo-wop songs all the time.
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I'm drawn to the romantic aspect of a character. It's human emotion. It's much more fun to watch. And it's much more fun to play.
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I'm a horrible romantic!
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I realize that no one is going to come to me and ask me to be Julius Caesar or a romantic lead, but I think I'm a certain type of guy who looks a certain way, and that's just the reality of things.
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Personally, I can't see why it would be any less romantic to find a husband in a nice four-color catalogue than in the average downtown bar at happy hour.
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I'm very romantic and of course I want to be in love.
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I'm a hopeless romantic.
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I like sundresses with cowboy boots, little shorts with big wedge heels and a big piece of turquoise. I also love classic, Old Hollywood romantic styles. I'm 'country girl meets city girl' circa 1930.
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The joy and the pain for me is about tightroping between being a cynic and being a romantic - the tug between barely believing in anything and hoping for everything.
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I find L.A. kind of romantic, actually. As a movie junkie, it's a city that was built by the movies. There's something really weird and surreal about it that I find energizing.
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When I was younger, I had these romantic ideas about the Black Panther Party and what it meant to be a part of the civil rights movement. Then we're here, and it's dangerous. And it's dangerous to say, 'Black lives matter.'
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We shouldn't romanticize rejection. There's nothing romantic about rejection. It's horrible.
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I'm a romantic, but I'm not a romantic in the traditional sense. I like to romanticize what happens to me. Whatever happens to me - you could quantify it as good or bad - I romanticize it. I think along the lines of 'When that thing happened, it made me who I am.' That kind of thing. It's a different way of being romantic.
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America to me is so varied and exciting. I always feel nostalgia for the place I'm not in, and then I get there and find myself in a traffic jam going into the Lincoln Tunnel, and I think, 'God, why was I romanticizing this part of the country?' I think it has to do with the romantic, unrealistic temperament.
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I think the most romantic thing you can do is just turn up. Turn up when it's difficult for you. Travel halfway around the world or just up the road. Whatever it is, just be there.
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If I had no family, my wife and I would lead a much more romantic and nomadic existence.
