Romantic Quotes
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'Love Letter' reminds me of 'Chocolate Factory' and 'Happy People.' It's a little bit of both of those, yeah. I just wanted it to be classy, man. And romantic. And maybe 10 percent sexy.
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I was thinking 'Love Story', obviously, was a romantic film of that time.
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We must not, however, be like the leaders of the great romantic revolt who, in their eagerness to get rid of the husk of convention, disregarded also the humane aspiration.
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I did something that no brown-skinned man in the movie industry ever did. I made a brown-skinned man look very romantic - a matinee idol. If you think about it, what I introduced is historical because it had never happened before, and it hasn't happened since - not on that level.
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There's another film - a little Greek movie - that hopefully is going to get some distribution here in the U.S., called 'Worlds Apart,' where I also play a 60-year-old guy who looks a lot like J.K. Simmons, who has a romantic relationship with an appropriate woman.
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I've been interested in the idea of forgiveness and the necessity of it. I think of it as the most critical piece of any relationship, whether that be business, or romantic, or familial. We fail each other. We make mistakes. If we contract to go on after those mistakes, forgiveness is involved. Forgiveness is required.
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I did play a romantic part once - Orsino in 'Twelfth Night.'
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Acting can be pretty challenging. I can't say making a romantic comedy is challenging, but to do anything well, you have to put yourself into it.
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If you lift the romantic element out of my plots, you still have fully formed mysteries. In the same fashion, if you pull the mystery out of a historical romance, you are left with a perfectly satisfying story.
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Love to me has meant different things at different junctures of my life. I'm not a hopeless romantic.
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I'm a romantic, and we romantics are more sensitive to the way people feel. We love more, and we hurt more. When we're hurt, we hurt for a long time.
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I love stories with love in them. I just prefer those films. Every so often, I come across a film where there's no love story. It doesn't have to be romantic, but there's a lack of love, and I don't get that.
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It's a unique, romantic sound, and people love to hear it. It takes people back to an older America and a simpler, more elegant time. It's a sound I really love, and I find that once people get a chance to hear it live, in all its glory, that they love it, too.
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Movies are romantic fantasies.
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'Bombay Velvet' is my most romantic film, it's my 'Titanic' or 'Gone With The Wind.'
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Because I think in order to get famous you have to be known for something. Like 'You're the romantic comedy girl' or 'You're the Oscar-winning whatever girl.'
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The joy and the pain for me is about tightroping between being a cynic and being a romantic - the tug between barely believing in anything and hoping for everything.
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I'm a romantic, but I'm not a romantic in the traditional sense. I like to romanticize what happens to me. Whatever happens to me - you could quantify it as good or bad - I romanticize it. I think along the lines of 'When that thing happened, it made me who I am.' That kind of thing. It's a different way of being romantic.
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It is certainly true that writers take a stance at some variance from organized religion. This has not always been true. But since the romantic movement - and I'm referring now exclusively to poetry - the emphasis has been on the individual imagination defined against, rather than in terms of, any orthodoxy.
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My personal style changes wherever I am. When I'm in Ibiza, I'm a bit girlier because there's an opportunity to be more romantic and dress up for the beach scene. Whereas in New York, I tend to go for suiting and tailoring that almost feels like weaponry for the city - but I think I'm quite playful no matter what.
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The state of being in love is so inherently preposterous. It usually lends itself to romantic comedy. I think we've all been there.
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I think there are certain tenets set in place for all different types on genres. For thrillers, women usually die first. I can't say exactly why, and it's kind of a bummer... But I also can't explain why the wallflower girl in the romantic comedy always gets the guy in the end. That's just the way those movies go.
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You know, I've always thought that it would be really funny if somebody made a romantic comedy where absolutely everything went well from beginning to end.
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I don't think of Home Depot as romantic, but I do think the Christmas wonderland they put up during the holidays is magical. That is what Home Depot is to me, and that is the only romantic thing about it.
