Me Quotes
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I haven't let the gold medal out of my sight; it sleeps next to me in bed.
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When I auditioned for 'Fargo,' there was something about it that I was hungry for because of how right it felt for me.
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My grandmother's first husband was a spiritualist medium. What fascinates me about that is the balance between conviction and sincerity and trickery, which is also something that novelists are very familiar with.
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I have never felt anchored when it comes to fashion. I've always had to depend on a stylist helping me to figure it out.
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No one put pressure on me to go to the Olympics; once I'd got the qualifying mark, I just couldn't say no.
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Comedy is a comfortable yet challenging place for me. I will always feel an inner pressure to do my best and to improve.
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First of all, I'd like to say here the fact that I'm not naturally a craftsman has made me work very hard.
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For the longest time, my older brother told me he was teaching me self-defense, but now that I'm grown up, I realize he was just practicing his martial arts on me.
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I've been asked to do 'I'm a Celebrity... Get Me Out of Here!' and I do get asked to do all sorts of things like that - but I don't want to put my career on hold. I'd have to take three weeks off to do something like that. Maybe it's something I'd think about after it's all ended.
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To me, form is not about scoring runs but how you feel about your game. Sometimes the runs are not there, but you know you are batting well, and that is good form for me.
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To me, human existence exists on a multiple level, not just on a two-dimensional level, not just having to be identified with what you do and what you say.
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The idea of regretting not doing this seemed insane to me. Sitting in the corner at a bar at age 60, saying: 'I could've been Bond. Buy me a drink.' That's the saddest place I could be. At least now at 60 I can say: 'I was Bond. Now buy me a drink.'
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I remember auditioning for record labels and having them tell me, 'Well, the country-radio demographic is the thirty-five-year-old female housewife. Give us a song that relates to the thirty-five-year-old female, and we'll talk.'
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Female hysteria is a subject I'm very fond of. I always try to bring it in somewhere. For me, it is the finest part of the line between comedy and tragedy.
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I never really address myself to any image anybody has of me. That's like fighting with ghosts.
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I work with my acting coach to help me get into character and do pronunciation drills and tongue twisters to help me deliver lines.
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Nothing scares me more than people with some doll collection.
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I hate being manipulated by song. Don't tell me what I should be feeling. I don't want cellos or violins to be telling me that I should be bawling right now.
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My heart is in independent film-making. For me, it's where the fun, gritty storytelling is being told.
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My father really told me, seriously, if you want something, you can have it, but you may have to work harder than anyone else around you.
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No, I don't autograph blank slips, checks, or stickers, and certainly no books without me in them.
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For me a day without training is like a day without eating.
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Getting divorced didn't sour me on the institution of marriage. I'll tell you what I'll never do: I'll never get divorced again.
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Sentences or solutions occur to me in the shower, or while running on the treadmill, or riding on the subway.
