Me Quotes
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What worries me is the professionalism of everything.
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Adult actors are really childish, and that's nice to be around when you're a kid. So the big reason I wanted to be an actor was I really enjoyed actors' company - which probably makes me about as shallow as a puddle. But it could be worse. I could be working for a living.
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If a topic hits me, I'll start going on it. But you can't force it.
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I really am pretty boring. There's no reason to take pictures of me.
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I don't really approach a character as to whether or not it's good or bad. I just approach a character as to where it lives in me.
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It is hard enough to make a plan for how you are going to spend an evening with somebody else. So to make a plan for how you are going to behave in 25 years seems based on a view of life that is incomprehensible to me.
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I have much more to offer than my physical appearance, and a hijab protects me against 'You're too skinny,' 'You're too thick,' 'Look at her hips,' 'Look at her thigh gap.' I don't have to worry about that.
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Doors opened for me and I ran for it.
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One thing is for sure: a World Cup without me is nothing to watch.
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The gentleman puts me in mind of an old hen which persists in setting after her eggs are taken away.
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One of my favorite experiences in my career, certainly one of the most interesting characters I've ever played, was Simon Lee on 'The Event.' That was a show I was quite proud of and a character I really enjoyed playing. It was one of the most three-dimensional characters that was ever written for me and that I'd ever gotten to play.
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At 13, in my first year of Tonbridge, I went up for the part of Macbeth. I was up against the 17- and 18-year-olds, but for some reason I got the part. It made me incredibly unpopular with my peers, but it was the English and drama teachers who stepped in to save me when others wanted me kicked out of the school.
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I want people to tell me the truth.
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Nobody has it all, but for me to even come close is amazing.
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Raising five boys is a handful, trust me.
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Normally, learning lines is fairly easy for me, but when you add an accent onto that, it adds a complexity that I had not anticipated.
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I always ask myself, would I want someone to do something that wasn't comfortable for them just to please me? And the answer is no.
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I just want my films to work. The hit or flop verdict really affects me. I seriously analyse what went wrong if a film turns out to be a dud!
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When you left on Saturday, I felt a horrible void, I saw you everywhere, on the beach, in your room, in the garden: impossible for me to get used to the idea that you had left.
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I never dreamed that shooting a film would be so hard. There was less regulation then of child actors' hours. Even the concept of acting confused me.
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Touring helped me understand where I needed to be better in my music.
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In our sport you're very lucky to find a horse of a lifetime and I found mine relatively early. He's done everything for me and I owe him the world.
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That's the thing with me being a former athlete: in the way I attack characters and attack poetry is from the base of being an athlete.
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In 1999, I just came out of putting out the song 'Vivrant Thing' and 'Breathe and Stop' off the 'Amplified' album. Clive Davis signed me to Arista.
