Character Quotes
-
When you're the guy inside of a character and you've lived with it for almost two years, you're always a bit defensive about the character, and you want to root for the character you're playing.
-
My grandfather was an amazing man. You talk about character and integrity, everyone who knew him, whether they agreed with him or not, said, 'George Romney is a good man, and he sticks to his principles: a man of honesty and hard work, integrity.'
-
Great actors can transform, but sometimes there's just this person who speaks right to the role. When they walk in the room, you know they're that character. That is something you can't teach an actor; that's something that's luck and chance.
-
I don't think of myself as a character actress - that's become a phrase which means you've had it.
-
To me, Shakespeare uses the supernatural elements to reveal his character's inner desires and fears.
-
I couldn't bloody believe a prime-time TV show would have an Iraqi ex-Republican Guard torturer as a main character.
-
Unless you look like Brad Pitt, it's really hard to have full control of your character.
-
I think that each character has fascinated and interested me enough to want to play him.
-
I'm not a huge fan of scary movies, but I love doing them because your character arc gets condensed, and everything is elevated, and so you kind of have this amazing opportunity to go in many different places.
-
I think good radio often uses the techniques of fiction: characters, scenes, a big urgent emotional question. And as in the best fiction, tone counts for a lot. But a lot of effective and interesting radio is based on one character who reacts to the world.
-
I've had people appear in my life that have helped me. I had more fun. I approached it thinking how would Jack Nicholson, "How would he do it?" So that's really what I did was I created this Gremlin character. So now people come up and they say 'Oh The Exorcist!'.. and I'm like "Did you see Repossessed?" They say either no or yes or whatever, and I say look at this, have a laugh, and then go back and look at a masterpiece .
-
Compared with men, it is probable that brutes neither attend to abstract characters, nor have associations by similarity. Their thoughts probably pass from one concrete object to its habitual concrete successor far more uniformly than is the case with us. In other words, their associations of ideas are almost exclusively by contiguity. So far, however, as any brute might think by abstract characters instead of by association of con cretes, he would have to be admitted to be a reasoner in the true human sense. How far this may take place is quite uncertain.
-
I've usually had two styles: the Fletch character and the Clark Griswold character.
-
I had a very hard time accepting myself as a character actress because I wanted to be glamorous and a leading lady like everybody else. I looked in the mirror and thought I looked pretty good, but casting didn't ever see me that way.
-
I like The Smiths as well. They took a cue from The Buzzcocks. They have jangly guitars instead of distorted guitars. All the Manchester bands have a character about them. The Stone Roses and The Smiths and all that. Even if you don't like them, they have a certain original sound.
-
Responsibilities are relative. My responsibility is to a character in a script, to a part I'm playing.
-
I consider myself fortunate that I've been able to find a character that people have responded to.
-
There are times when you do a play when you are living in the character over a two-and-a-half-hour period or longer, and you come to the end of the night, and you can feel like you were hit by a truck.
-
For me, I always have to establish a reality for the character. In very actor-y terms, you just have to understand his reality.
-
The reality is that there are so few roles out there for women and for women of color, and I'm a character actor, this I know. And I'm getting to see more of the roles that are out there, but there aren't many. And zilch have been studio movies. Zilch.
-
I know how to hit a mark without looking. I instinctively know where my eye line should be. That's all 100%. But your character and the story are always different, so the emotional part is not muscle memory. You're still surprised by stuff and get the adrenaline.
-
'In-between' is sort of - an animator does the key poses. He'll do extremes, you know, like a character reaching out for a glass of water and then another one of him drinking. And the in-betweener has to do all the drawings that goes between those two. You know it could be 12, 23 whatever in-betweens.
-
I love to be a working actor, and I love to read scripts as they come in. If I find the script or character that is interesting, I want to transform myself into that character.
-
Having to struggle gave me the chance to demonstrate strength of character.
