Character Quotes
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(When thinking about the Ruth character) I have a terrible image in my mind of a cow going to slaughter. There's not a lot of fight in them. Pigs, they'd squeal and thrash around. They'd fight. It's almost as if cows don't know they have a choice. Not that they don't panic, but they do so in a quiet way.
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I think television has become such an interesting place for characters and for incredible storytelling. Half of what I watch are television shows that I've become obsessed with. I just think that it's opened up so much, to be such an interesting and creative medium, and so many wonderful directors and actors are moving to television because it is a great medium for telling stories and for creating a character over a long period of time.
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There was a best-selling book in the late '60s and '70s called 'The Adventurers' by Harold Robbins. The lead character's name was Dax. Anyone that's roughly my age that's named Dax is named from that book.
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One of the things I really like about Victorian novels is the close anatomisation of character. People's gestures and mannerisms and the quality of their thought is very closely identified and analysed.
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I felt like I'd culturally arrived when a character on the HBO show 'True Blood' was reading a hardback of 'Heartsick' at Sookie's kitchen table.
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I love the idea of playing a character that didn't over think everything. He knows what's in front of him and he has an ability to just say whatever he felt.
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You get a bad review with a novel, and it hurts. But I imagine if you get a bad review with a memoir, it hurts more because you can always say, 'Well, they didn't like my characters,' but when you're the character, it's like, 'Oh, yeah, they actually didn't like me.'
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Mike Leigh encourages you to choose a person that you know to base your character on. You write a whole list of people that you know and you go through that list in great depth with him. And then he chooses one of those people from your list.
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The actors feel that the music played before the curtain rises will put the audience in the wrong mood. The playwright suggests that the (purposefully lugubrious) music be played at twice-speed. This peps it up somewhat while retaining its essentially dark and gloomy character. The actors listen carefully, and are pleased.
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The cool thing about doing a voice-over into a different language is that you get to bring the character of your own culture into it.
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Praying that does not result in right thinking and right living is a farce. We have missed the whole office of prayer if it fails to purge our character and correct conduct. We have failed entirely to understand the virtue of prayer, if it does not bring about the revolutionizing of life. In the very nature of tings, we must either quit praying or quit our bad conduct.
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I've always been a huge fan of Charles Lawton's performance in 'The Hunchback of Notre Dame,' so somewhere along the line, I've always wanted to play that character.
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You can't take on the qualities of a character that you'd never be cast in - and no one would ever cast you in.
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Assimilation of the fruits of each past life takes place before the spirit descends to rebirth, and consequently, the character generated is fully formed and readily expressed in the subtle, mobile mind-stuff of the Region of Concrete Thought, where the archetype of the coming dense body is built.
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The real character of a man is found out by his amusements.
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The audience has its own gestalt, and it becomes another character - a character that changes each night.
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In films, you work for three to six months, and you're out of the character. But for a daily soap, you don't have that luxury. So the character has to be convincing. Otherwise, your mind is not in it, and you're just working for money, which is a good amount in serials. But I want both: good acting and good money.
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As soon as I started reading, I found myself drawn to fictional character's homes as much as I was to the characters themselves.
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I approach my character with the question: What would an animal think? How would an animal respond? A lot of times, it's quick action and no fear, and sometimes it's irrational fear. You don't always know.
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I think the thing I took most from game playing was just getting in the characters head. I took it really seriously. There's something about creating your character.
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The press, important as is its office, is but the servant of the human intellect, and its ministry is for good or for evil, according to the character of those who direct it. The press is a mill which grinds all that is put into its hopper. Fill the hopper with poisoned grain, and it will grind it to meal, but there is death in the bread.
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I forgot that every little action of the common day makes or unmakes character, and that therefore what one has done in the secret chamber one has some day to cry aloud on the house-tops.
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Yes, TV is the dominant medium in Pakistan, but it was a conscious decision to have an Indian film as my first release. Being launched in an Indian film with a great script, character, and music is half the battle won. The rest is destiny.
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Our easiest approach to a definition of any aspect of fiction is always by considering the sort of demand it makes on the reader. Curiosity for the story, human feelings and a sense of value for the characters, intelligence and memory for the plot. What does fantasy ask of us? It asks us to pay something extra.
