Character Quotes
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I always had a sense that clothes, be it uniform or vintage, could help to create a character.
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It may be asserted without scruple, that no otherclass of dependants have had their character so entirely distorted from its natural proportions by their relations with their masters.
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I give myself homework when I have an audition. I give myself goals, and that's how I check how I'm doing. It can be something simple like 'listen,' or 'find your feet.' And then afterward it's an assessment, so in a way it's not about booking the job or not. It's about what I learned as an actor about that character.
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Oscar is the exact opposite of how I think you should behave. I just think of it as a negative view of the positive mind I have. Big Bird is sweet and nice and also sympathetic, as kids can identify with him even though he looks like such a bizarre character - great 8 feet 2 inches, a beak 18 inches long.
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I started 'SNL,' and I became the one who did impressions. I did that, but then I wanted to get an original character on, and that took a long time to get one on that stuck. And then I got Vinny Vedecci on - 'Oh great' - and then it took a couple more seasons to get Greg the Alien on. You have to have some patience.
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I'm an actor, and I love the art of creating a character.
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I try to find out what there is in the character that in a way, you can't put into words. If I could put it into words, then it wouldn't be a performance. And if I do put it into words, as I play it, I start to get boxed in by those words.
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I was inspired to become an actor from theater I'd seen, so I assumed I'd do a lot of theater. But when I left Guidhall, the first thing I did was a short film - I played the main character. And I loved it. I love working on camera. I love the smallness of it and the detail and the routine of it.
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The only thing that I know how to do as an actor, as a trained actor, is you can't villainize the character you're playing. Whether it's a fictional character or a real character. Because then you operate from that sort of negative point of view, and you can't humanize him.
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Swinburne was an absurd character. He was a bird of showy strut and plumage. One could not but admire his glorious feathers; but, as soon as he began to moult ... one saw how very little body there was underneath.
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Forney in 'Where the Heart Is' has more fans than any other character I've played.
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I locate that special problem in a character and then try to understand it. That's the genesis of all my work.
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The partaker partakes of that which changes him. The child that touches takes character from the thing, The body, it touches. The captain and his menAre one and the sailor and the sea are one.
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I was offered some film roles, and I did not do them. It would have been interesting, but I have no regrets. I am where I am; I accept and embrace the mistakes because they're character-building and they build perspective and talent.
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I admit, that the commonplace man can never, by copying, produce a masterpiece; he notes every detail but he does not really see - the artist penetrates below the surface into the very heart of nature; for him everything is beautiful because beauty in art consists of character.
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Interviewing someone is very similar to preparing a character, isn't it? You're just asking questions: 'Who is this person? Why did they make that choice? Why are they doing that?' You're being Sherlock Holmes.
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I take the sexy girl parts and try to give them something else and make them a character.
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The most fun part for an actor is the writing and the story and the character. That's very fulfilling.
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I'm not really a Method actor. I'm always afraid of working with someone who's afraid to [break character] and won't talk to anyone because they're in character.
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It's really nice when you can sit down with somebody and just talk to them, and talk about your ideas and what you think the character is, and they respond to it. It's a really nice way to do it, but it doesn't happen very often.
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The craft of putting together a performance on film or television is incredibly intricate; you're putting together a story that is completely out of order, that you have to make some sense of, that you have to keep some coherence to the story, to the character.
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Culture is not just an ornament; it is the expression of a nation's character, and at the same time it is a powerful instrument to mould character. The end of culture is right living.
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As we celebrate President Reagan's remarkable career and historic legacy, we also celebrate a man of strong character, deep conviction, unforgettable charm, and wonderful wit.
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I'm a bug on acting, which distinguishes Second City from a lot of other revues. It comes from the character, the behavior, and not from the jokes. I don't think jokes are funny. Humor comes out of character and out of situations the character is in.
