Character Quotes
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Most of actor's work is done at home, in your hotel room, in the wee hours of the morning thinking and reading and feeling, walking around and listening to music. It really just because an internal exercise, whatever skills. It's great if you have to learn something new for a gig and designing a character physically is always fun but it does become an internal exercise in separating the wheat from the chaff.
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Even when I became the typical shy adolescent, I never minded performing. I felt there was a kind of safety, a protection about being on stage, about losing myself in another character.
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Flaubert spoke true: to succeed a great artist must have both character and fanaticism and few in this country are willing to pay the price. Our writers have either no personality and therefore no style or a false personality and therefore a bad style; they mistake prejudice for energy and accept the sensation of material well-being as a system of thought.
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There are likable characters in prison. Sometimes the worst criminals are also some of the most charming people.
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What I loved about romances was the character, and I think I still bring that to my novels. What romance taught me was that the 'who' will always matter more than the 'what.' It's fun to come up with plots, but I want to make sure the reader cares about who it's happening to.
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A lot of comics aren't their on-screen personas; Chris Rock isn't always ranting and raving. What I do is make myself this over-the-top character that people either find endearing or they think is a joke. Then I can do anything I want.
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I make hip-hop, but use Doom as a character to convey stories that a normal dude can't. You have writers that write about crazy characters, but that doesn't mean the writer himself is crazy.
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You have to play the logic of a character.
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As an actor, you gain weight, you lose weight, you change your hair color, and you make changes physically and emotionally to be able to understand the character.
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The real property that a parent can transmit to all equally is his or her character and educational facilities.
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Green Arrow has gone through so many changes; he's been right-wing, he's been left-wing, he's been rich, he's been poor, he's been a social justice guy, then when I got him, he was a rich playboy guy. So it was a lot harder to get into a character that has so many personas in the past, and I just looked at his anger.
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Games are advancing in terms of storytelling and trying to create a character, and its a brand new audience for me.
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For every role, I brought certain elements of the character. Even on 'White Collar' over six years, I tried to keep the set fun and breezy and Howard Hawks-y and very of the tone of the show.
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'Save the Date' feels like a quiet story about two sisters and the men in their lives, kind of reminiscent of the quieter rom-coms of the 1990s; it's very character-driven and not as wedding-focused.
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It's a character that I always found really likable. I'm fond of Zorro because he was a popular figure who worked for the people.
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Every two years the American politics industry fills the airwaves with the most virulent, scurrilous, wall-to-wall character assassination of nearly every political practitioner in the country - and then declares itself puzzled that America has lost trust in its politicians.
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Part of me becomes the characters I'm writing about. I think readers feel like they are there, the way I am, as a result.
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My hope is that people will be repulsed by the character's complete lack of ethics and obsession with consumerism - that's what I was saying about the difference between the character's message and the film's message.
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Literary fiction is fiction that examines the character of the people involved in the story, and that popular fiction is driven by plot. Whereas popular fiction, I tell them, is meant primarily as a means of escape, one way or another, from this present life, a kind of book equivalent of comfort food, literary fiction confronts us with who we are and makes us look deeply at the human condition.
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There's a theory in gameplay, particularly in first person shooters, that sometimes you don't want to have that much of a character because then it destroys the experience of the player being that character.
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It's not Xs and Os. It's people and character and making great plays, ... It's more of a personal thing. It's the character. It's the fight - because up here most of the guys who get to this level are obviously talented.
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When you cast someone like Natalie Portman, the character can't just be the love interest.
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Those offers come in now and again. They're not knocking down my door. I'm only an old character actor, and I'm not needed.
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The more we can put the camera in a better place, the more we can take the audience on a more extreme journey with that character.
