Character Quotes
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I believe that pop culture is just, like, so ready for 'Watchmen.' We tried so hard to ride that wave between satire and reality, and all the things that make you still care about the character, but you don't miss the commentary about them.
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The basis of self-government and freedom requires the development of character and self-restraint and perseverance and the long view. And these are qualities which require many years of training and education.
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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I always say that I'm at my best when there's no example of what the character is supposed to be. I thrive when there's not much and I have to create it.
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So they've actually - it's not that her character is a singer, but she had ambition to do that at an earlier time in her life. So I've actually sung two or three times now on the show.
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There was a lot of dancing in '76, '78, in the '80s. A lot of dancing. The burn years. A lot of dancing. And for a while, working fit in with all that. 'Moonlighting' - that wasn't acting. It was people telling me 'Let's create a character who is you, so you can play him the way you are. The guy you are at night.' It was fun.
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Any fool can criticize, condemn and complain - and most fools do. But it takes character and self control to be understanding and forgiving.
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Don't worry so much about your self-esteem. Worry more about your character. Integrity is its own reward.
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I'm a very happy-go-lucky lover of all mankind as a person in real life. So when I play a darker character, I have to tap into something that isn't my natural way, and what I found was that I think human beings have the potential for all of these emotions.
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I personally like to talk to people when I'm not doing a scene, still acting as if I'm in Gotham when I'm on set because I don't really like to break character, since I sometimes get distracted. I may get distracted when I'm talking to people and having fun; then I have to check myself.
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Ngila Dixon is such an incredible costume designer. She's such a cool, stylish woman. She has such an understanding of character.
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If there is one constant in the ebb and flow of our island story, it is the character of the British people.
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I do this a lot with names. I'll start with a name, and then for some reason he won't talk much, or he's older than I pictured him just because of a name I give him. So then I finally get the right name, and I can't shut the guy up. This always happens. There's always a character who gives me trouble that way.
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If you're sounding right, you're probably walking right, and vice versa. If you get the footwork right - if you get even one line right in a rehearsal, the director will say, do you know when you said that, it was exactly the character. You were - really landed on it.
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I'm not looking to be famous, but I want a body of work and a moral character that is deserving of fame.
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I've had a lot of seedy side jobs. I've done it all. I've worked retail at the mall, just tons of side jobs, which I think are amazing for actors. I think everyone should have one! It helps you get more experiences, and the more experiences you have, the more you can channel into a character.
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Offers come all the time, but I'm pretty particular. I really have to be wowed by a character I encounter in a script, or a storyline. I really do need to feel inspiration, otherwise I'm just happy planting perennials and making goat cheese.
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I feel that my characters all have some part of my character. I feel that they're all me in some way, certainly not in individuality, but they all bear elements of what I feel.
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I think that a lot of women that know they're going to be part of history somehow decide to have a character to be remembered by.
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I find Edinburgh a stimulating place in which to live, with it being a city of contrasts, both architecturally and socially, and each district having a definite character.
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I did not find that writing a diary with a lead male character differed in any essential way from writing one with a female character. They all had the same challenges in terms of attempting to establish an identity, coping with loneliness, friendships, relationships.
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I really believe that when you're playing a character that everything is contained in the script. If I'm pulling from things from my own life, then I think I'm being disingenuous to the character and the story.
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I love it when you like a character, and then she does something you don't like, and you hate her for a while - then you love her again. I'd like to see her have unlikable moments that the audience understands and sympathizes with.
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The biggest research of all when I do a character is self-examination. You look at yourself and you ask, 'How am I similar to this person and how am I different?'
