Character Quotes
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I love character-driven, well-written, great storytelling types of films, and I think that 'My Cousin Vinny' just hit the nail on the head with everything. It's one of those movies that, if I'm flipping through the channels, no matter what part it's on, I can watch it. It's just one of my favorites.
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For me, acting comes straight from the heart. In that sense I don't act at all. I think that to feel the character's pain I have to be myself. Somewhere audiences see that.
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I was the singing voice of a cartoon character. I did dog food commercials. I did a lot of commercials, actually, and helped pay my rent and my classes. Then I'd get one good line or two good scenes. I was building my career and building my own experience and learning technically what it was like to be on a set and all of those things.
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I wanna create a character that's really memorable... like Julia Roberts did in 'Pretty Woman.'
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You wouldn't expect a Christian character to be an Indie rocker guy.
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There was one very special scene at the end of the film. My character, Zhao Di, has been sick. She wakes up and her mother tells her that the man she loves has come back from the city and had spent the day by her bedside.
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Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
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Any fool can criticize, condemn and complain - and most fools do. But it takes character and self control to be understanding and forgiving.
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The biographical novel sets out to document this truth, for character is plot, character development is action, and character fulfillment is resolution.
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I enjoyed both equally, but in different ways, ... Maynard gave me the chance to do wonderful word comedy...When I was offered Gilligan, I chose it because that character gave me the chance to do physical comedy, which I love.
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I played a tomboy character in 'Dohchay.'
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I would like to find, or I would like a part to come to me that is like the part that Dennis Franz was fortunate to be able to play on 'NYPD Blue,' a sort of similar-looking actor to me, a generic, bald white guy who you would often think of as playing the authority figure. But he was the disgruntled middle-man. That would be a fun character.
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The inspiration really comes first from the character and the story. That vision of what the story is, and what the character is, the world that they inhabit and what the story wants to tell. That's really what inspires me.
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Neither loss of father, nor loss of mother, dear as she was to Mr Thornton, could have poisoned the remembrance of the weeks, the days, the hours, when a walk of two miles, every step of which was pleasant, as it brought him nearer and nearer to her, took him to her sweet presence - every step of which was rich, as each recurring moment that bore him away from her made him recal some fresh grace in her demeanour, or pleasant pungency in her character.
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To me the interesting main character is never the one without flaws.
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'On the Road' is another one of those, a film in which the audience has a very clear idea of who they think your character is, so you know you are asking for it. But that's the challenge.
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You have to get it in your brain that you don't belong to yourself as an actor, but that you belong to the director who creates the character.
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The role of an actor is to make every character believable.
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It's hard sometimes if you think a character should look a certain way and you're being pushed to do it differently. I've had fights over that. That's why it's so important that you work with good people.
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For me, with a character, you start with the shoes.
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When you are doing a long scene, you have dialogue and interaction to narrate the character. But making sense out of facial expression and reacting is difficult. Having said that, I think such challenges are good for learning.
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'Deacon Blues' was special for me. It's the only time I remember mixing a record all day and, when the mix was done, feeling like I wanted to hear it over and over again. It was the comprehensive sound of the thing: the song itself, its character, the way the instruments sounded, and the way Tom Scott's tight horn arrangement fit in.
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Often, I'll read a script and the female character's an extension or serves some sort of purpose in terms of the male character's narrative and it just isn't fully formed. But they will be very beautiful. Whether a secretary or a doctor or a vet, they will be very beautiful.
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I hold Bond dear to my heart. I've traveled the world as an ambassador for that character, and I had a bloody great time doing it.
