Character Quotes
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Most of the time when I receive a script, it says something like 'Rosenberg is the fat, slovenly Mayor, who doesn't want the kids to use the Skateboard Park', or 'Stein is a pompous, rotund attorney, imposing to all.' It would be so freeing to get a script where my character is simply described as 'A Man.'
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The character I created, 'Commissario Brunetti,' who appears in all my books, shares similar reading, artistic and musical tastes with me. Subconsciously, I knew that if I was to spend however long it would take to write this book with him, this man would have to be someone I'd like to have dinner with.
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I have always been a fan of Kajol Ma'am. The way she portrayed Zooni's character in 'Fanaa' is etched in my memory. I have watched the film several times, and each time I have learnt something new from her performance.
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I like characters with character, not just pretty faces. Anyway, I think people can be both grotesque and beautiful at the same time. Look at Mick Jagger in the seventies. Look at Angelina Jolie.
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You can judge a man's true character by the way he treats his fellow animals.
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A lot of actors are like, 'Why do I do this? My character wouldn't do this? This doesn't make sense.' And in a comedy, you kind of just need to walk into the door.
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That knowledge which adds greatness to character is knowledge so handled as to transform every phase of immediate experience.
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Bitumen, the new national staple, is redefining the character and destiny of Canada. Rapid development of the tar sands has created a foreign policy that favours the export of bitumen to the United States and lax immigration standards that champion the import of global bitumen workers.
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All the parts I get offered are character and comedy parts, and I probably wouldn't get them if I had a different face. So I'm glad I have a comedy face.
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My very first role was the character of Barbara Winslow in the movie 'Marmaduke.' Up until that point, I had only done commercials. I had never done a guest star role or a series, and yet they cast me!
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I'll play a happy character, but most characters are driven by a pain or a fear. They are driven by something deep down, and most people are like that in the sense. And so, that's what interests me.
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Character and emotionality don't always have to be relegated to quieter, more simple constructs.
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Memory and the imagination are almost identical. It's the same place in the brain and the same thing is happening. When you think about your own life, there are no memories without place. You are always situated somewhere. I think the imagination - the narrative imagination at least - situates you in a specific space when you start to think of a story. I often use places I know. I put my characters inside rooms and houses that I'm familiar with - sometimes the houses of my parents or grandparents or previous apartments I've lived in.
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I want to prove to people that I'm an actor and not just a character.
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We never really know what's around the corner when we're filming - what turn a story will take, what a character will do or say to surprise us, how the events in the world will impact our story.
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A person reveals his character by nothing so clearly as the joke he resents.
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When an actor decides to play a character, he must exude some sort of charisma and look relatable, even if he is playing the role of a really unattractive person.
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Remember to build each other up, to strengthen and sustain, to keep companionship lovely and alive. Remember dignity and respect; understanding; not expecting perfection; a sense of humor and a sense of what is sacred and serious; common purposes, common convictions, and the character to stay with a bargain, to keep a covenant - in these are the making of a good and solid marriage.
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If you create a movie that is only character driven, with a weak plot, then you - as a director, you have to make sure you keep pushing the tempo.
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I start with actors that I know personally or I know their work, and there are things about their work or their presence or their own personality that make a character, that exaggerates some qualities and suppresses other qualities. It's always a real collaboration for me.
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In terms of the frustration of my character, I suppose any teenager has probably gone through that, in terms of telling their parents, I want to do one thing, and their parent says no. I think parents sometimes forget that they were children.
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'Flaubert's Parrot' is an amphibious book in which what appears to be a personal essay about Flaubertian writing is gradually, delicately transformed into an extremely sad novel in which the differences between character, author, and narrator are less clear than they appear at first glance.
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If I'm characterized as a character actor, that's fine with me. Whatever they want to call me is fine.
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Every time I make a movie I have too many characters and too many locations.
