Character Quotes
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I think I am a pretty good judge of character in general and try to surround myself with the best people I can.
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There are two different ways of writing a novel. The first I call the traditional father way, when the novelist slightly situates himself or herself above the text and knows what each and every character is going to do. It's a bit like engineering. I've never felt close to that tradition. I like the second way, which relies a bit more on intuition.
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As a filmmaker, you realize that places have character based on their history as much as a face does or an actor does.
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Every time I make a movie I have too many characters and too many locations.
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Nothing can alter the character of God. In the course of a human life, tastes and outlook and temper may change radically: a kind, equable man may turn bitter and crotchety: a man of good-will may grow cynical and callous. But nothing of this sort happens to the Creator. He never becomes less truthful, or merciful, or just, or good, than He used to be.
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I love those preliminary conversations about who a character is. You try on wigs, shoes, and clothes. It's preferable when it's not about looking pretty. It can get a little dull to just be cute.
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As Ralph's character begins to discover the political thriller aspect of the film, he falls deeper in love with his wife, so the two run together. That's the beauty of this film. It has fast pace and excitement, but it also has heart and soul.
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I never personalize anything because I think that can be dangerous. For me, the best way is - this may sound pretentious - but it's to breathe the character and get into the psychology of it.
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One of the great pleasures of acting is surrendering to someone else's point of view of the world - living inside a character and a story that never would have come out of your mind or heart.
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You're sent scripts, and for some, as soon as you start reading them, you feel an instant connection to the character. You know who they are, you know how to play them, and there is instant enthusiasm. Then, at the audition, you don't have nerves because of that natural affinity.
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In a play, you know where you start and end and all the stops you have to do, but in television, you can't construct this carefully planned out arc for your character. You often get a script and you're shooting it two days later, and you don't know what's going to happen next. It's one of the harder things that I've done.
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Reagan wrote out many of his radio commentaries and newspaper articles as well as many of his own speeches. He wrote poetry, short stories, and letters. Trump, in his own hand, writes 140-character tweets.
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I gained a lot of confidence after 'IP Man' as being a true actor. I went on to tackle what it is an actor is supposed to do before a film. Do a lot of research, get into the character. That's what I did with 'Dragon.'
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I love trying to give some flesh to rather naked bones sometimes. I've always felt it my duty and to try and bring on the character's off-stage life, what happened that is not revealed.
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Seven social sins: politics without principles, wealth without work, pleasure without conscience, knowledge without character, commerce without morality, science without humanity, and worship without sacrifice.
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Songs are like movies to me, and so you put yourself in the movie. You become a character in the movie.
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I think everyone has some sort of connection to Gatsby as a character... he's created himself according to his own emotions and dreams and lifted himself by his bootstraps from a poor kid in the Midwest and created this image that is The Great Gatsby and it's a truly American story in that regard.
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I'm not a model; hence I don't see the reason to have a six-pack abs. I can pull off a tough and rugged look of a cop in 'Dhoom' series without taking my shirt off. Cops don't have to move around without a shirt to flaunt their machismo. What makes the character of a cop stand out is his attitude and not his six-pack abs.
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Every ongoing character has to start somewhere.
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A song in a musical works best when a character has to sing - when words won't do the trick anymore. The same idea applies to a long speech in a play or a movie or on television. You want to force the character out of a conversational pattern.
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The way I approach any role, whether it's comedy or drama, I like to look for the truth first. I think comedy for the sake of comedy wears dull pretty quickly. You have to ground the character in reality first and allow the audience to sympathize, emphasize and be more invested.
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I do not like assassins, or men of low character.
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I'd love to do a comedy like 'Bridesmaids;' I think that would be so fun. I would play the Kristen Wiig character.
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The preparation for building a series of thrillers based on a single character is kind of like the preparation for becoming a parent: The best part is the idea - wink, wink.
