House Quotes
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I can remember the first time I ever recorded my vocals on to a beat. Cat Coore from Third World - a legendary Jamaican band - had a little demo set up at his house. I'm very good friends with his eldest son, Shiah, who plays with me now. So we were rhyming over a track by the dancehall artist Peter Metro. I've still got it somewhere.
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Every corner in a house, every angle in a room, every inch of secluded space in which we like to hide, or withdraw into ourselves, is a symbol of solitude for the imagination; that is to say, it is the germ of a room, or of a house.
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There's a big difference between France and the U.S. In the U.S., immigrants must work to live. In France, they're taken care of by public finances. In France, there are millions of unemployed people already. We cannot house them, give them health care, education... finance people who keep coming and coming.
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Downstairs in my house, I have a museum room. I keep all of my awards down there, and childhood photos, and even all the clothes I've worn on tour, in videos and on album covers.
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We turn off the TV, video games and computer - except for homework - during the week. The TV's reserved for Friday night, Saturday and Sunday just because that's the time to do homework, and it makes it that much less chaotic in our house.
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The time is come when women must do something more than the 'domestic hearth,' which means nursing the infants, keeping a pretty house, having a good dinner and an entertaining party.
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That's one of the lucky things about getting the success later on. I know how I want to dress, I know what kind of house I want to live in, I just know more about myself, and that's true about the roles I want to play and what parts of myself I want to express. You're just more in touch with yourself.
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Both me and Ishmeet were very naughty. We used to have my grandfather's swords in the house. We used to take all these swords and take all the showpieces Mom had and slice them one by one. He actually locked my nana in the kitchen once for two hours.
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To make a successful film from a successful play is probably much more difficult than making one from scratch, just as any carpenter will tell you that it is more difficult to restore an old house than to build a comparable new one.
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I would never go to a gym. How could I do it? So I tried to do it in my house and it doesn't work.
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I believe the collapse of the House of Windsor is tied in with the collapse of the Church of England.
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If I am going to get in a cab to go home, and I see a sign for an open house, I will go in. I like real estate because I am the boss.
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In preparation for a career in academic medicine, I worked as a medical house officer at Columbia-Presbyterian Hospital from 1966 to 1968 and then joined Ira Pastan's laboratory at the National Institutes of Health as a Clinical Associate.
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I want to have all that scientific information that we're building be used in designing the future so that people who make geographic decisions - and here it's not just land-use planners, but it's everyone: foresters, transportation engineers, people who buy a house - can analyze all of these information layers and design a future.
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Like most women, I have days where I feel like today I'm not leaving the house - you know days where you've got a spot on your nose or when you've just got off a flight, eaten fish and chips and feel really bloated - that one happens a lot to me.
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From the moment I leave my house or my hotel room, the public owns me. The public made Alice Cooper and I can't imagine ever turning my back on my fans.
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Home is, I suppose just a child's idea. A house at night, and a lamp in the house. A place to feel safe.
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There was a house at the foot of the tower, close to the thunder of the waves breaking against the cliffs, where love was more intense because it seemed like a shipwreck.
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After I left college, I went to work at the Royal Opera House in London, which became a real catalyst for me because it made me realize that I was interested in cinema and in the way life is thrust at you. So I started making films.
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Exile is more than a geographical concept. You can be an exile in your homeland, in your own house, in a room.
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'Perfect' is about a set-up that looks perfect from the outside - beautiful country house, beautiful wife and mother, everything where it should be - and the deep fissures that, in fact, lie beneath that. 'Perfect' was partly a response to the shock of my first book, 'The Unlikely Pilgrimage Of Harold Fry,' being a success.
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As boring as it sounds, I don't feel any different than I did before the 'House of Night.'
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The reaction that I got from 'Diamonds' I would have expected to get from 'House of the Rising Sun' or one of the other songs.
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What I see as the particularly exciting prospect for writing horror fiction as we go forward is setting stories in more internal landscapes than external ones, mapping out the mind as the home for scary things instead of the house at the end of the lane or lakeside campground or abandoned amusement park.
