Different Quotes
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Before I realized what was happening, everything blew up. I made 'Animals' when I was in high school, and literally, from that moment, I've been living a different life. I've been touring a lot, traveling a lot, doing great shows. I've been in the studio with my biggest idols.
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My cure for writer's block is to step away from the thing I'm stuck on, usually a novel, and write something totally different. Besides fiction, I write poetry, screenplays, essays and journalism. It's usually not the writing itself that I'm stuck on, but thing I'm trying to write. So I often have four or five things going at once.
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I carry on in my own narrow little tunnel and we have very different experiences of life even though we live together.
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I imagine it was much different in the 1970s. That was the Renaissance for black actors, albeit in blaxploitation movies. There was a much greater preponderance of work then than there is now.
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I saw my potential as artistic director, which is very different from designer. Fashion companies might have $200 million to $300 million in annual sales - Hugo Boss has €2.5 billion. I have to create a world that is believable and also relevant in 7,000 sales points around the world.
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For years I've had neurological problems. I used to shake a lot and I was on medication - I paid about $700,000 for one year of pills. I was taking 40-odd different ones a day.
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I come from a culture where we wear white for weddings. In India, it's different. But I really feel that there should be no set notions, and a bride should only wear something when she's comfortable in it.
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Neil Young does throw in a major seven chord here and there, so if you're a new guitar player learning Neil Young songs, you'll learn some seven chords, and some different positions. Nothing too complicated, just enough to kind of open up your knowledge a little bit.
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I'm a big fan of having a team with different thoughts and backgrounds and experiences; that makes for a better enterprise and better decision-making.
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An only child alone and wildA cabinet maker's son.His hands were meant for different workAnd his heart was known to none -He left his home and went his lone and solitary wayAnd he gave to me a gift I knowI never can repay.
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I did write more mainstream stuff with DK. But you could always tell the records that I wrote in contrast with everybody else's because the format was a bit different. The harmonies were used in a different type of way. Way more metaphors in the mix.
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For the past several years, I have remained what others would consider underground. I did this in order to build a community of people, like-minded in their desire for freedom and the right to pursue their goals and lives without being manipulated and controlled by a media protected military industrial complex with a completely different agenda.
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I listen to everything from jazz to reggae to heavy metal and I kind of combine everything to make something different
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I was always fast; I was always racing guys that were older than me and beating them, so I always had speed. I was able to make good cuts at a young age, on the side of the house with my dad, going through different plays, working on cuts and stuff like that.
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I cannot say something different to one person and then another.
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You can have good times with anyone, but it's really different and much more interesting when you look at how you get through the bad times with someone.
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What do we mean by 'crazy?' What do we mean by 'mad?' At what point is a person just different and at what point can we call it a disease and say that they are not responsible for their actions? Or are we all slaves to the chemical processes that go on in our brains?
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To say that I am organized is an understatement, but my car tells a different story.
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It might work with one orchestra, and the next orchestra - the oboe player might not get it. It's different every time, but some of the orchestras do end up enjoying it and having a great time.
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There's different ways of getting into character. There's what's called 'the outside,' in which is finding the physicality of the character first. To give an example, in 'Gettin' Square' - Johnny Spitieri - that's how I found that character. I knew those people that I'd seen up at Kings Cross. I knew how they sounded.
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When it comes right down to it, people are quite similar. We may come from different backgrounds, cultures, and economic circumstances, and our attitudes and perspectives may vary. But in the heart-where it really counts-we're a lot alike.
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It's all just so fraught when you're writing and then going through the editorial process. It feels like this shape-shifting thing. When it's done, and you can't change a single word, it's a totally different thing. I was surprised by what that thing was.
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I expected it to be overwhelming and all-encompassing, but having a kid brings you into the world in a whole different way.
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Joe Paterno was a well-educated man, and he was also a man from a different time.
