Theatre Quotes
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It doesn’t make sense, it’s not logical, it’s not a safe profession or a smart profession if you wanna make money or have a living or have a family. So the fact that we keep doing theatre means we’re getting something from it that is almost childlike in its innocence.
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Hollywood was a detour, although my mother was an aristocrat from Tokyo who ran away to join the theatre, so acting is in my genes.
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Theatre is the art form of the present: it exists only in the present, and then it's gone.
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There is an atmosphere about the picture theatre that speaks of entertainment and relaxation. The charming surroundings, good music, and the fact that each visitor is determined to enjoy a few hours of holiday all exert an influence on the mind.
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Maybe all theatre is going to be irrelevant for all time.
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Mum did a lot of commercial theatre and farces in the 1980s and '90s to make sure the school bills were paid.
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To a professional critic theatre-going is the curse of Adam. The play is the evil he is paid to endure in the sweat of his brow; and the sooner it is over, the better.
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Growing up in Malaysia and England, there wasn't an obvious route into the comics world, so my creative energy went into theatre and prose and then movies and TV.
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When you're an actor and you walk into a theatre where your movie is playing, you're kinda proud. "Look at my skill!"
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Theatre is the art of looking at ourselves.
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I did a lot of theatre when I started out. It was the Lyceum, the Citz, the Tron and the Traverse. I came to London and did the Royal Court, the National, 'King Lear' at the Manchester Royal Exchange. I did little bits of comedy, like 'Rab C Nesbitt,' but I wasn't predominantly about comedy.
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Theatre, for me, is about providing to the audience a new and exciting experience.
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I love directing. It's something I started doing in theatre when I was in university in Chicago and I started a theatre company right out of college and was directing for many years.
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I did some professional radio acting as a teenager, and I essentially put myself through college with radio acting in Montreal. When I graduated, I got jobs in professional theatres, repertory, and stock theatres in Canada for a couple of years. And then I went to Stratford, Ontario, where I spent three years with a Shakespeare company. We took a classical play from Stratford to New York City, and I got some good notices there and essentially stayed and did live television. And that brings you to the beginning of filming.
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From there, I tried out for a community theatre play, joined an improv group... it all started opening up.
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It's a tremendous asset if you have a visual eye because you can make huge visual statements in a very theatrical way and play to the strength of theatre. But the high end of directing is working with actors and making the acting the best it can be.
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I don't really have a theatre background at all.
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There is a strange pecking order among actors. Theatre actors look down on film actors, who look down on TV actors. Thank God for reality shows, or we wouldn't have anybody to look down on.
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I've always wanted to keep my foot in film as well as theatre and be working in both worlds.
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I started acting as a child in Community Theatre but I didn't do any serious stuff. It was all musicals like 'Annie' and 'Wizard of Oz.' I was always in the chorus.
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How hard a thing 'twould be to please you all.
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It's incredible how London-centric the theatre world is. Certain actors won't travel away from London anymore for work; practitioners often aren't taken seriously enough unless their work is seen in London; and it's sometimes very difficult to get national critics to review shows - especially if there's a clash with a London press night.
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The idea with theatre is to come to an environment that you enjoy.
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I was born in the theatre. My father was a small time impresario on the West Coast and I was acting from the age of 7, but I started to write when I was 12 and by the time I was 14 I was making more money than I was acting.