Theatre Quotes
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The best theatre I've done, I've done right here in this living room.
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The fact is that 'The Wizard Of Oz' has never really worked in the theatre. The film has one or two holes where, in the theatre, you need a song. For example, there's nothing for either of the two witches to sing.
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I still feel I belong to the theatre. There is nothing more challenging and exciting for an actor than performing before a live audience. The stage is the real testing ground for an actor.
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There is an atmosphere about the picture theatre that speaks of entertainment and relaxation. The charming surroundings, good music, and the fact that each visitor is determined to enjoy a few hours of holiday all exert an influence on the mind.
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It was very natural for me to want to disappear into the theatre, I am really very shy.
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Television theatre, as is implied in its name, should rely on adaptations of scripts written for the theatre.
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When playing a role, I would feel more comfortable, as you're given a prescribed way of behaving. So, both Facebook and theatre provide contrived settings that provide the illusion of social interaction.
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I don't rehearse films as much as opera or theatre. When I began directing films I thought a long rehearsal was a good idea. Experience showed me that the best performance was often left in a rehearsal room.
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With theatre, you have to be ready for anything.
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You do T.V. and movies to make the money, and then you do theatre for the love of it.
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Theatre, for me, is about providing to the audience a new and exciting experience.
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Early British pop was helped tremendously by the writing of Bob Dylan who had proved you could write about political and quite controversial subjects. Certainly what we did followed on from what was happening with the angry young men in the theatre.
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I don't really have a theatre background at all.
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There's a certain type of theatre that I haven't got any time for at all - established, boring, same-old stuff without any reason or passion. There's quite a lot of it about, and it motivates me to try to do something different, something risky, raw, ugly, and challenging.
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My parents would always take me to the theatre, and I was bored a lot of the time. Loads of Shakespeare, and I didn't know what the hell was going on. And then, when I was 13, we went to see 'The Cherry Orchard,' and it changed everything for me.
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It's predominantly a male society, predominately a male culture, predominantly a male theatre, and predominantly male critics, but that's changing, definitely.
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How do we compete with the 3D superscreens at the cineplex? We just make it better - because theatre is better because it's live. Instead of trying to be like the poor cousin, we need to accept that we're the king.
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My parents took me to shows starting when I was a very little kid. I remember seeing Henry IV at the Shakespeare Theatre in DC and our neighbor, who was playing Banquo, winked at me during the curtain call. I remember thinking "he can SEE ME?!" I was hooked from then. I wanted to be part of the place where you can escape the world, and also wink at it.
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We are going to set up a branch of the St Petersburg Mariinsky Theatre here [on the Far Easter]. We are also planning to open local branches of the Hermitage Museum and the Vaganova Academy of Russian Ballet.
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When I was 16, I played Macbeth at school and my English teacher said, 'I think you may have acting talent. Try to get into the National Youth Theatre of Great Britain and see where you get.' I wouldn't have thought of that at all. I wanted to be a surgeon, but I wasn't a clever man.
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Usually, in theatre, you're adapting existing material or creating an entirely new play. With the 'Cursed Child,' we have been given the unique opportunity to explore some of the most cherished books and beloved characters ever written, yet work with J. K. Rowling to tell a story from that world that no one yet knows - it's exhilarating.
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Is there anything more terrible than a "call"? It affords an occasion for the exchange of the most threadbare commonplaces. Calls and the theatre are the two great centers for the propagation of platitudes.
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In the theatre, people talk. Talk, talk until the cows come home about journeys of discovery and about what Hazlitt thought of a line of Shakespeare. I can't stand it.
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Then I went off to Southern Methodist University in Dallas. They had a really wonderful theatre department.
