Guy Quotes
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The problem is Silicon Valley, which is an amazing ecosystem, also ends up being an amazing bubble, with white guys talking to white guys about white-guy problems. So it's great, but you kind of miss a lot of things around you.
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Obviously, when you finish something like 'White Collar,' there are so many opportunities to just do something similar because people want that kind of thing, and I really have tried to stretch myself out, for better or for worse. I hope that I'm able to get to continue to do that, as an artist, and I'm not the guy who shows up to be charming.
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I was scouted by this talent scout back home. She found me because I used to make my dad these CDs of my music, and I think that some guy that he worked with had a niece who worked with the talent scout, or something really drawn out, kind of word-of-mouth.
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The only person that ever stumbles is a guy moving forward. You don't stumble backwards; you stumble forward, and you never stumble when you're stationary. So don't worry about stumbling. Keep pushing it forward.
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Eighty-five per cent of the crowd is going to fall in love with me - they're going to feel it, wow. But fifteen per cent are going to think, 'This guy is obnoxious.' I spend enormous time with them - every negative review of 'Crush It!' on Amazon has a response from me - and I can probably bring back ten of the fifteen.
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It's so funny: I sort of fell into genre roles, but I'm not really a genre guy.
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You know when you see those guys and their sideburns are just a little too high? You don't need to have sideburns, but don't have to have them right above the ear. I knew a guy that did that in high school and I was like, 'What are you doing? Just let them down a little.'
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This idea that you're a successful tough guy if you evade taxes and deceive the state has got to change.
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I don't want to name any names, but I've worked on television shows where there's a guy writing for my generation who's, like, 60 - and it doesn't work.
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I think Pac is one of those artists that generations on generations know who this guy is, as an artist, as an activist, as an actor - entertainer across the board. I think the new generations of entertainers and artists can be influenced by him just as much as people in the '90s.
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It's just this little comedy about this group of guys, and their local hangout is a pool hall, and it's starting to get taken over by this big corporate, evil kind of guy. And it's just about them trying to save the day and their little pool hall in the process of it all. It's called 'Think Tank.'
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That's been the dream since you were a little kid growing up. You want to be the guy playing in the Super Bowl. It's what you live for, really.
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The guy comes up to the plate, there's always a chance where he can get a grand slam and everybody forgets about all the times he missed.
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It's really about, oh come on, this guy wouldn't say that or he wouldn't do that, you know, it's about the characters, about the story, about the situation.
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I'm not a huge luck guy. I think you make your own luck. I don't really believe in some other force making your own luck.
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I'm kind of new to the racing game thing. I've always been, like, a shooter game kind of guy.
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Looking at me now, it might be hard to believe that I didn't even have hair in my armpits when I graduated from high school. I guarantee you I was the last guy to go through puberty in my class.
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I love Vanna White as much as the next guy.
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I get a lot of people saying to me, 'Oh, you're the actor who plays the nutters,' and I'm not. I'm the guy who plays human beings. I understand why the characters are doing what they're doing. When you play a villain, you don't play a villain: you play a human being doing what he thinks he needs to do to get what he wants.
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It's my whole life of being the little guy and having a little chip on my shoulder, from year to year trying to prove myself, and at the end of the day to be inducted into the College Football Hall of Fame is a very special honor for me.
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I grew up watching Dr. J, and I was like, 'Oh my God, this guy is the greatest basketball player I ever saw.'
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Whether I build a character from the ground up or develop one, whether within my own copyright or in licensed work, I can step into that character's mind. It takes a kind of voluntary dissociation akin to method acting, military planning, marketing, or detective work: to think like the other guy and work out what he's going to do next.
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Seriously, I don't know if people would really tell you this. But in my dream world, the people who work for you would say, 'Wow, I didn't know I could do that until I started working with that guy.'
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Of course Jack Ma was the guy who impressed me.
