Criticism Quotes
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My wife's an architect, so she definitely has a very high-risk artistic profession, and she gets the idea that you're really sensitive, you really care what people think, you have a low threshold for criticism.
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That's part of this industry. It's hard a lot of the time, especially when you get knocked down a lot. There's a lot of criticism and it's always in the back of your mind that you may never work again.
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How I feel about and behave toward myself is the basic determinant of most of my behavior. If I improve my self-regard, I will find that dozens of behaviors change automatically. If, for example, I increase my feelings of self-competence, I will probably be less defensive, less angered by criticism, less devastated if I do not get a raise, less anxious when I come to work, better able to make decisions, and more able to appreciate and praise other people.
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Wine is similar to music in that it's a purely experiential realm, and it's a purely subjective practice. That's sort of the funny thing about wine criticism or, for that matter, music criticism. At times, those are useful guides, but ultimately it's all about how you react to that music or wine.
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To me, constructive criticism is when people take ownership of their ideas. That's why I don't listen to anything that's anonymous. But it's hard; when there's something hurtful out there, I still want to read it over and over and memorize it and explain my point of view to the person.
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I have learned to watch myself and give myself constructive criticism. Although I have to cover my face and peek sometimes!
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No one ever accepts criticism so cheerfully. Neither the man who utters it nor the man who invites it really means it.
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You gotta be able to take criticism if you want to be anything close to great. Even if it's not true. You use that as an advantage for yourself. You can use that negative energy and turn that into an energy that drives you to be something more than you thought you could be. That's one thing I did.
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What puzzles me most is your criticism that he showed 'no sense of engagement'. I haven't met the expression before, and feel bound to comment on its totalitarian tang. Engagement not with the truth as the speaker apprehends it, but with the alleged opinion of the majority of listeners.
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I think that's unjustified criticism. We have had a number of measures in place in this country for several years to mitigate the possibility of mad cow spreading in this country. We have found a single case.
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Sometimes we have criticism that is very constructive.
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Neither Lynn Margulis nor I have ever proposed a teleological hypothesis. Nowhere in our writing do we express the idea that planetary self-regulation is purposeful, or involves planetary foresight or planning by the biota. ...Yet we met persistent, almost dogmatic, criticism that our hypothesis is teleological.
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All good criticism should be judged the way art is. You shouldn't read it the way you read history or science.
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I learn something from criticism because when it comes from sources you respect you always examine it and learn.
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I take the harsh criticism along with the compliments.
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There is far too much literary criticism of the wrong kind. That is why I never could have survived as an academic.
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Praise and criticism seem to me to operate exactly on the same level. If you get a great review, it's really thrilling for about ten minutes. If you get a bad review, it's really crushing for ten minutes. Either way, you go on.
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Confidence and belief in yourself and your vision is absolutely paramount. The fashion industry is tough - be prepared to take advice and criticism along the way, but have unwavering belief in your vision.
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To what derision should I be exposed from a thousand quarters!- An unlearned female entering the lists of criticism against the mighty Johnson!
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When I've gotten criticism, it's that it's too long, too soft, didn't hit the government hard enough. Then when I do hit the government, they go, 'What's he doing hitting the government?'
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No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists. You cannot value him alone; you must set him, for contrast and comparison, among the dead. I mean this as a principle of æsthetic, not merely historical, criticism.
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Literature is a human apocalypse, man's revelation to man, and criticism is not a body of adjudications, but the awareness of that revelation, the last judgement of mankind.
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Read a ton. Take a workshop course so you learn to give and get criticism.
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The main thing in poetry criticism is that I have all these opinions, and I love having something to do with them. And I think it's important that people try not to be false. The ideal would be that everybody says everything in print. I don't know that it's that I'm not afraid.
