Protagonist Quotes
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My writing is a very authentic journey of discovery. I'm going out there to learn who I am. My readers, consequently, take the same journey as my protagonist.
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Every time a Hollywood director shoots a film about Africa that features a Western protagonist, I shake my head - because Africans, real people though we may be, are used as props in the West's fantasy of itself.
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I always felt a little worm inside me: 'Now you need to write a novel with a woman protagonist.'
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In my career, I've often played the protagonist or the hero of the movie, and there are so many rules inherent to that role. The audience needs to stay with you, identify with you and like you. When you play the bad guy, those rules go out the window. There's so much freedom there.
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Ostwald was a great protagonist and an inspiring teacher. He had the gift of saying the right thing in the right way. When we consider the development of chemistry as a whole, Ostwald's name like Abou ben Adhem's leads all the rest ... Ostwald was absolutely the right man in the right place. He was loved and followed by more people than any chemist of our time.
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Also, getting the chance to play a supporting part meant that I didn't have to do as much as the protagonist, such as running around telling the story. [As the protagonist] you push the story whereas, paradoxically, as a character part, you have a chance to explore some of the nuance and some of the more complicated aspects of a character.
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As such, anything is always possible, even if your protagonist is a plumber. But it's the possibility, the limitless possibilities, of any fake life, that make writing about it so challenging.
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A lot of narrative films leave you no space for anything else but eating popcorn. I want to go in the complete opposite direction. I have to evacuate all psychology, to be less a protagonist and more a presence.
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Can Protagonist think of a single film that interests him as much as the three-hundredth best book he ever read?
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It's pretty easy to think of the idea of a story, and maybe even to write a scene or two, but understanding the ebb and flow of a narrative, where to leave the little clues your protagonist (and reader) need, while playing fair, takes a lot more skill and patience than you might think.
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The nature of the universe probably depends heavily on who is the actual protagonist. Lately I've been suspecting it's one of my cats.
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It’s a funny thing. You go your whole life thinking you’re the protagonist, but really, you’re just backstory.
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To me, a great story well told is a great story well told, and just because the protagonist is a young adult doesn't mean that story has less merit or worth than if the protagonist is a full-grown adult.
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I think that ultimately any effective drama or tragedy tries to put you as much as it can into the protagonist's shoes.
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My foray into young adult lit was by no means planned. I wrote the first 'Alfred Kropp' book as an adult novel, which everyone loved but no one would publish - until I changed my protagonist from a thirty-something P.I. into a 15-year-old kid. After that, it was off to the races, and I am so glad.
