Poems Quotes
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I can explain all the poems that were ever invented - and a good many that haven't been invented just yet.
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I don't write poems with a purpose in mind, but I'd hope that some readers would find their experiences mirrored or articulated here - and that the language would feel alive to them. Alive, in a way that is meaningful and pleasurable.
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I believe it's impossible to write good poetry without reading. Reading poetry goes straight to my psyche and makes me want to write. I meet the muse in the poems of others and invite her to my poems. I see over and over again, in different ways, what is possible, how the perimeters of poetry are expanding and making way for new forms.
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Memory, faith, and the natural world as both witness to the cycle of human life and healer to a questioning heart are at the core of this lovely and lyrical collection of poems. The weather changes, people come and go from cities and towns, babies are born, grow up and depart from their parents’ arms, but still, the countryside and its rituals sustain the people and creatures who know how to read the signs of the seasons. In these pages, Laura Grace Weldon shares those signs with us; her poems are the fruit of a wonderful harvest.
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My days are filled with work I love - reading poems, writing poems, talking with people about poems, teaching, directing a writing program, hosting readings, etc.
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The world is so great and rich, and life so full of variety, that you can never lack occasions for poems.
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I've been interested in LeRoi Jones/Amiri Baraka's work for quite a while. My first introduction to LeRoi Jones was when my mother used to read me the 'Dead Lecturer' poems when I was a kid.
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If we were to see Western landay poems, we'd see them out of disenfranchised populations, maybe out of the legacy of slavery. Spirituals, rap music - that would be the space we'd find American landays in.
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Many of my poems try to use a comic element to reach a place that isn't comic at all. The comic element works as a surprise. It is unexpected and energizing.
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Poverty is very good in poems but very bad in the house; very good in maxims and sermons but very bad in practical life.
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The poems are part of my attempt to understand being in the world in an honest way.
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I think of my best poems as vessels that I can or hope to fill with everything I have. I try to give to them all of the electric complexity. Each one fails at this, of course, but I keep trying - adoring each of them, loving the process, the ebb and flow of it - and each time, the failures fail a bit better.
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My poems are more my silence than my speech. Just as music is a kind of quiet. Sounds are needed only to unveil the various layers of silence.
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When I think of someone equating poems and machines, it makes me feel like that person would like poems to have a more obvious use value in society. They're not happy with poetry being this ephemeral, indefinable thing. They want it to be "real."
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Poems, like dreams, are a sort of royal road to the unconscious. They tell you what your secret self cannot express.
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I always wanted to be some kind of writer - I wrote plays and songs and "books" before I realized living and breathing people still wrote poems.
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I don't write every day, but if I go more than a couple of months without writing, I begin to get a little nervous. I usually have bursts of poems. Five or six come together and then I slack off and want to do something else.
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I can never plan out what direction my poems will take in terms of either form or content. I wish I could but it doesn't work that way for me. If I try to write something, I'd probably end up doing the opposite.
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Have you reckoned a thousand acres much? have you reckoned the earth much? Have you practised so long to learn to read? Have you felt so proud to get at the meaning of poems?
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We write poems as leaves give oxygen - so we can breathe.
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There is a particular quality of quietude and stillness that suffuses these painterly poems of Carol Ann Davis, so involved with loss, motherhood and the shifting tonalities of light that transform the domestic and ordinary into the strange and extraordinary that, combined with tenderness of address, approach the worshipful and make a number of these poems so moving and distinctive.
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In other words the pictures are in a kind of relationship with each other which is touching only at points rather than pictures being illustrations of poems or poems extrapolations of the pictures.
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He who would write heroic poems should make his whole life a heroic poem.
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. . . you did not seem to me over-fond of money. And this is the way in general with those who have not made it themselves, while those who have are twice as fond of it as anyone else. For just as poets are fond of their own poems, and fathers of their own children, so money-makers become devoted to money, not only because, like other people, they find it useful, but because it's their own creation.
