The things that keep me awake at night are things like textures and instrumentation and plotting out what things are going to do and what the sounds are that I'm trying to capture.
With the classical stuff, I've always been better at the big brushstrokes and broad textures than spending ages honing a chord, or tweaking a sample.
Me and my wife were interested in avoiding style, in eliminating voice, in getting away from the poetry logics, textures, and propulsions that we normally employ in our writing. But we arrived at even this organically and separately.
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