Hollywood Quotes
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If Hollywood is the global producer for media products all around the world, that's of concern. If all audiences around the world know of America is what they see from Hollywood, then we're in trouble.
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For success in Hollywood you must have a special competitive spirit. I do not have it.
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Eating bread in Hollywood is a no-no!
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People don't believe this, but Hollywood really is a meritocracy.
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To get on in Hollywood, you've gotta be a bit gay and a bit Jewish, and I'm saving up to be Jewish.
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I think the press is doing a wonderful job of putting the pressure on the decision-makers in Hollywood to support more female directors.
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This is worse than Hollywood, he thought. A girl comes in with a pork chop and I write a song for her.
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The good part of what comics trains you to do is it trains you - especially if you've worked in mainstream comics like Marvel and DC, or if you're just doing your own independent comics - to compartmentalize things and work on multiple things at the same time. And that's a skill that is incredibly handy in Hollywood, because within the first year that you get here, you realize there's a reason why every successful person in Hollywood has like seven or eight projects up in the air at any point.
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Someone said to me, 'If fifty percent of the experts in Hollywood said you had no talent and should give up, what would you do?' My answer was then and still is, 'If a hundred percent told me that, all one hundred percent would be wrong.'
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I was looked at as weird, odd, not fitting in with the Hollywood crowd.
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I think being a woman in Hollywood is a big enough challenge. It really is. I don't want to be one of those people who complain. But the lack of roles out there - it's unbelievable.
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Hollywood desires money but they could not stand the political content.
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There just are not a lot of overweight people in Hollywood.
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Bloated budgets are ruining Hollywood - these pictures are squeezing all the other types of movies out of Hollywood. It's disastrous.
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There's a reason why every successful person in Hollywood has like seven or eight projects up in the air at any point. It's like a 90 percent chance for each project that it'll never happen. Every project has about a 10 percent chance of getting made, unless you're like a Quentin Tarantino or somebody who just gets whatever they want to get done. But those are the rare cases.
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In fact, I think new media is going to make a big difference with injecting more people of color into Hollywood and non-Hollywood.
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I always think of young Hollywood as its own little high school. There are the girls who have been working for a while that are kind of like the Queen Bees and the new kids at 'school' just starting out.
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I never knew until I came here to Hollywood that somebody could be really nice to you for years and really hate your guts. Happens all the time here.
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I saw how you could get away with such a free-spirited, naturalistic sensibility in a mainstream Hollywood movie, and you could apply a lot of the skills of the '70s icons that I really admire to a contemporary, commercial movie.
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The thing that I've run up against is that it's always been an either-or proposition, especially in Hollywood. You're either young and glamorous and you're going to get the lead and get the man at the end of the picture, or it's the opposite: you're a character actress, you're not attractive enough for the other role, and so you're playing the friend or the killer or the lesbian or the doctor or whatever.
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When I grew up, I lived in the ghettos of Hollywood; it was the most disgusting place to be. I was known as the crazy little kid. I did impressions. Then I realized that's not what I want to do. I don't want to be a comedian to please other people.
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It's a corset design making me look very, very slim and trim. I call it a corset dress. Very Hollywood glamour with the silk.
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So there I was in Hollywood, thinking I was doing good.
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I love all the Hollywood women. I saw all the films when I was a teenager. Jack Smith's "Flaming Creatures".
