Hollywood Quotes
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I love all the Hollywood women. I saw all the films when I was a teenager. Jack Smith's "Flaming Creatures".
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Hollywood was a detour, although my mother was an aristocrat from Tokyo who ran away to join the theatre, so acting is in my genes.
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I never knew until I came here to Hollywood that somebody could be really nice to you for years and really hate your guts. Happens all the time here.
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To get on in Hollywood, you've gotta be a bit gay and a bit Jewish, and I'm saving up to be Jewish.
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When you do stuff as a comedian, Hollywood sees you as a comedian and so most of the calls I get are for a funny movie or something like that.
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I think being a woman in Hollywood is a big enough challenge. It really is. I don't want to be one of those people who complain. But the lack of roles out there - it's unbelievable.
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In fact, I think new media is going to make a big difference with injecting more people of color into Hollywood and non-Hollywood.
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I remember doing one day of work, and I was so good I ended up doing 25 days on that movie. And all of it ended up on the editing room floor. That was my first Hollywood lesson: Just because you filmed a movie doesn't necessarily mean that you're in it.
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I remember saying to my agent, "Listen, everybody's going out to Hollywood and making movies. I think I ought to go out there." And his advice to me was, "I wouldn't do that if I were you. If they want you in Hollywood, they'll send you." And sure enough, they did.
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Hollywood sucks. I've got the bruises to prove it.
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Hollywood is a world all its own.
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I came back to Utah to get away from Hollywood.
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I don't think people are interested in my personal life. I've never had a Hollywood life. I've always been a worker.
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So there I was in Hollywood, thinking I was doing good.
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Friends come in herds and they leave in herds. Hollywood loves an adventure, but you have to hit bottom. Then they love to save you and be a part of it. Or think they're a part of it.
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Hollywood has unfortunately become a memory. It's nothing but a sign on the side of a hill.
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When Shana Alexander interviewed me for Life magazine in 1952, she gave up after 4,000. At one time or another, I've worked for every studio in Hollywood, for almost every director with most of the actors and actresses.
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I think it is important to make sure that I have my real life as well, because Hollywood can certainly seem like an alternate reality sometimes.
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That's not how most of Hollywood does it-which helps to explain why Pixar does so well. How are you changing the game in your field? What is your distinctive take on how your industry operates? Do you work as distinctively as you compete?
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It's a corset design making me look very, very slim and trim. I call it a corset dress. Very Hollywood glamour with the silk.
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The one thing you can count on in Hollywood - across the board - is cowardice.
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My first ten years in Hollywood were really tough. I'd be coaching friends who came to me for acting advice, and then they'd make it before I did. I'd still be helping them while they were on movie sets and I had four lines on a TV show.
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Because someone stole Gregory Peck's star on Hollywood Blvd., I have hired a Brink's guard to protect my star!
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In Hollywood - in Hollywood, you're as good as your last picture.
