Radio Quotes
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My father being a Caribbean minister, one day I stole the radio. The radio that I stole, I took it to school, showing off how big this boom box was and how bad I was at the time. Once my father figured out where I left the radio, he then got his belt and he walked me, he beat me all the way to where I had hid the radio, and with the boom box.
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I guess I've never been introduced properly to Pink Floyd. I know they're great, don't get me wrong. Excellent, excellent musicians; great band; awesome harmony; great song writers; I just don't know anything besides, I guess, the popular songs on the radio.
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I'm a free agent. I want the major-label budget for my next album, but I'm too big for the label to pay me. I don't want to be controlled, to be watered-down. Labels were always asking me to do this or do that, saying that I was lacking something. And every time, I did it the next year. Singles? Radio spins? I showed 'em.
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My songs speak for themselves. The musicians who play on them and the way they sound and where they were recorded and the way they were recorded is the old Nashville way ... they sound as country or more country than a lot of things that are on country radio.
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I think Badfinger was the epitome of that type of music before the power pop term was coined. 'No Matter What" is always gonna be a great song on the radio. There?s probably two or three others off their records that are as cool like 'Day After Day'.
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I still love the radio. I think the radio is still an important thing in music.
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As I was born and brought up in Himachal Pradesh, I used to listen to a lot of Hindi songs over radio apart from ghazals, western music, and 'Himachali' folk songs.
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I think stuff on the radio is mostly good, but it's just not what I'm into. I'm not into rap metal.
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I get pissed off when people at radio and TV shows say, "Can you keep a clean show?" Motherfuckers! Don't they know who they booked? It was the same with the single "Fuck It". They wanted me to change the words to "Forget it" or some bullshit.
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I turn on the radio now and I don't have anything against a lot of sequenced and programmed and electronic music, a lot of it is dope and it's the future. It's what popular music has evolved to.
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I'm somebody who doesn't believe in conforming to maybe whatever is on the radio.
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I'm the leader of the show, keepin' you on the go, but I know I can't live without my radio.
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Life is too full of distractions nowadays. When I was a kid we had a little Emerson radio and that was it. We were more dedicated. We didn’t have a choice
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There is no question in my mind that we live in one of the truly bestial centuries in human history. There are plenty of signposts for the future historian, and what do they say? They say 'Auschwitz' and 'Dresden' and 'Hiroshima' and 'Vietnam' and 'Napalm.' For many years we all woke up to the daily body count on the radio. And if there were a way to kill people with the B Minor Mass, the Pentagon-Madison Avenue axis would have found it.
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People in America, when listening to radio, like to lean forward. People in Britain like to lean back.
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We [No Doubt] were making music that was the opposite of grunge and what was popular on the radio, and we were fine with that. And for a garage band, we were massive! We were already successful in our own minds.
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If you are interested in ideas, radio is way more pure than television. You're not distracted by somebody's nose or hair or posture. You can really see how someone thinks and penetrate to the essence of who that person is.
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I mean it's - it is hard to find a voice on talk radio that is not a conservative voice.
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You know, I never did music for money. I did music to hear myself in the club, and to hear my creation on the radio.
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I look at radio as gone … Piracy is the new radio, that’s how music gets around.
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John Howard turned the prime ministership into something like a state police minister. He's at the scene of every crime, twice a day on radio, the guy did no thinking.
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When I started in radio, I worked for free. I lived at the radio station. Then I worked for very little money.
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I'm trying to laugh uncontrollably with whoever I'm making a song with because whatever we just listened to that we just came up with is so dope. I'm chasing that feeling in the studio, not like a trend or what's hot on the radio at the moment. It just seems like the more I do that, the better I get at what I do. I'm going to keep doing that.
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I listen to Radio 4 and put the iPod on shuffle. I like the randomness of, say, the Stones, then something from Nina Simone, Nick Drake or Bob Dylan.
