Radio Quotes
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I'm the Legendary Radio Head
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Have you listened to the radio lately? Have you heard the canned, frozen and processed product being dished up to the world as American popular music today?
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Whatever had been on the radio in the '60s; I mean we were always listening to the radio.
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I live in a bad neighborhood. Why, I saw two complete strangers share a taxi - yeah, one guy took the radio and the other guy took the tires.
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When I was 14 years old, I used to record stuff off the radio and do mixes with the pause button on my cassette player. I’ve always loved doing mixes. I never liked sport or anything like that. Mixing tunes together was just what I always wanted to do...
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The fans like the idea we do what we want. It's not an act. Screw the record company and the beaten path. Without MTV or radio, we still have a huge underground following.
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I turn on the radio now and I don't have anything against a lot of sequenced and programmed and electronic music, a lot of it is dope and it's the future. It's what popular music has evolved to.
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In 1993, I joined the Croatian army. I was a radio telegraphist.
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Someday America will have its very own commercial-free TV and radio station devoted to only one thing: to teach people, in their homes, all the essentials of personal achievement.
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Every weekend he'd have me come down to work on Dragnet, which by now was on television as well as radio.
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I didn't even think my music was good enough to get on the radio in Australia.
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I had to be at least 8 or 9; I was listening to everything on the radio. You name it, I heard every song.
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I've talked to other players that were there, but that was played in like complete silence. I guess there was a radio announcer there, but there was nothing else that you could even document it. People don't even know if they had a backboard or nets.
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I'm quite a good reader of people; I like to meet people, and I can tell if they're lying or not, and I've certainly had interviews with people in this radio show I've done that swear they've seen things or have had bizarre experiences with creatures, and so I think they're telling the truth.
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I can turn on the radio right now and be inspired.
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If people can finally recognize you on radio without being told who it is, thats what you aim for.
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What Nirvana's success means is that certain radio stations now have their ear more cocked to bands like us; they're more open to playing more stuff.
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The benefit of the radio is, something beyond your realm of knowledge can surprise you, can enter your realm of knowledge.
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Composers are influenced by all the important music in their lives - and I suppose that since radio started playing popular music, that's as likely to be The Beatles or Aphex Twin as it is to be Verdi or Ravel. They'd be strange teenagers if they didn't. But cross-pollinating happens too - Aphex Twin did more interesting things with electronic music than most trained composers, who seemed to approach samplers with undue caution and reverence in those early days.
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Radio is commercial, isn't it. Its a business.
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As a frontman I'm going to wear leather pants and get blowjobs in the studio. That would be nice. They are definitely not cool, but I like them. I don't listen to them, but I like them when I hear them on the radio, normally.
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The future is electronic. It's radio, television and the Internet; it's not really newspapers anymore.
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Duke Ellington's career traces the entire history of jazz. The repertoire associated with him contains the most important elements in the music and provides concrete examples of some of the best ways to present the music in the widest variety of settings-radio, TV, recordings, movies, concert halls, festivals, solo, small ensemble, big band, symphony orchestra, opera, Broadway shows.... You name it, he did it!
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As much as you act like everything is programmed or calculated or researched or numbers, spins, radio, and clubs, it's still human beings out here you can reach with music.
