Interview Quotes
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If an interview just serves the idea of celebrity, then I think that sucks. I don't want to do that.
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I'm a writer, so I interview people all the time, and I think of it as being a very creative process. Giving interviews is actually one of the most creative parts of the film promotion process.
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I can't live in a bubble and expect to come and work with Dior or go work on a movie and not have some kind of an evolution within myself and my own thought process and a passion about things or what's happening in the world. All of those things are the elements that make you who you are, and those are the things that sincerely come across in a photo or a commercial or in an interview. That's a constant thing for me.
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… and if you want to hear more of that interview, fly to America and watch TV on Sunday night.
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When I had to work Shea Stadium for a Mets-Braves game – Atlanta pitcher John Rocker had recently given an interview in which he denounced New Yorkers of all Colors and preferences – I was assigned to a parking lot, where numerous drivers asked me for directions to various highways. When my first answer – “I have no idea” – seemed to invite denunciation and debate, I revised it to “Take the first left.” For all I know, those people are still lost in Queens.
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To me, every interview, even if you love the artist, needs to be somewhat adversarial. Which doesn't mean you need to attack the person, but you do need to look at it like you're trying to get information that has not been written about before.
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I do not believe that I have had an interview with anybody in twenty-five years in which the person to whom I was talking was not annoyed during the early part of the interview by my asking stupid questions.
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I am a demanding person to interview.
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I don't know if it was much of an interview. We just shot the breeze.
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When I was at the interview asked how I cope with life's difficulties, I said that saving sense of humor. I'm not lying.
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When I sit down to interview people, I don't hold questions and I don't know the answers. They're more like conversations that become lessons.
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I think that the key to any interview is allowing people to feel comfortable enough that they forget they're being interviewed.
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I did an interview where they were harping on and on about sensuality and sexuality... really, I have nothing to say about any of that stuff because it's so boring and I never think about it.
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I did game shows, I did interview shows, I did talk shows, I did commercials, I did acting. But all of that was a million years ago.
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I think that at a certain point in our lives we should have to interview our parents.
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A lot of bands don't really like each other. I read an Interpol interview the other day, it was a really good interview because it was showing a different aspect of a band. They don't really like each other - they work together and they kinda exist together and that's how they like it. They're like, "we didn't get into this band looking for friends."
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As Martin noted, to the detective conducting his interview, it was a good thing he'd been inebriated, because otherwise he would have wasted time screaming and running about- especially once he realized he was standing in a pool of blood.
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This uses a lens system, which I have used for years in various different ways, but I've never used it in the context of an interview. This is the very first time that I've done that. It's a lens called The Revolution, so it allowed me to interview Elsa Dorfman and actually operate the camera. Well one of the cameras, because there were four cameras there.
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I want to be interesting in an interview just as much as I want to do well in a part.
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I've realized why I don't tell the truth in interviews. It's because they're printed months later, and you change so quickly - you have new thoughts, new everything - so people are reading an old version of you.
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He's not really a difficult interview. You just have to catch the essence and rhythm of what he's saying. I'd ask him how baseball has changed over the past 25 years and he'd start telling me about his life as a dental student in Kansas City.
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My work caused me to interview hundreds of women about their lives and their problems.
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Hardly any actor objects to press. It's a question of it being done in the way they like to see it done, meaning to get down to the serious interview what the profession is so we can reach out to the people to help them get along.
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I did my first interview in 1995 and was asked about my private life. I said, 'Why would I tell you? I don't see the logic in anyone knowing that about me. For whose sake? Nobody wins.'
