Interview Quotes
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It can be nerve wracking if you walk into the interview and you're not sure what to expect.
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A reporter called on Edison to interview him about a substitute for lead in the manufacture of storage batteries that the scientist was seeking. Edison informed the man that he had made 20,000 experiments but none had worked. "Aren't you discouraged by all this waste of effort?" the reporter asked. Edison: "Waste! There's nothing wasted. I have discovered 20,000 things that won't work."
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For me, the main principle for broadcasters has to be that if people stand to benefit from an interview, they should be prepared to face some downside as well.
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At first, it was really weird after being a touring stand-up comedian that wears just jeans and a shirt. But now, it's almost like when you go from Clark Kent to Superman: "All right, I've got to go put on a suit and interview Justin Trudeau." It feels like it's part of the process. Oddly enough, I've been in enough places - they sometimes send you to places that are a bit scary - that I know how to run in a suit. Like, run fast.
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In an interview, Kim Cattrall said there could be another 'Sex in the City' movie. An hour later, ISIS surrendered - there's only so much they can take.
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If I do an interview with Holocaust survivor Elie Wiesel, am I required as a journalist to find a Holocaust denier?
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When I interview people, I look at their values. I always say that the best chance of success is if the individual's values are aligned with the corporate values.
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I was interviewed on the Israeli radio for five minutes and I said that more than 2000 years ago, Euclid proved that there are infinitely many primes. Immediately the host interrupted me and asked, 'Are there still infinitely many primes?'
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In fact, among the people I met, the term soviet served essentially as a synonym for 'fucked up'. I'd been in the country about three days when a car that was sent to take me to an interview failed to start. After several attempts to get it going, the driver turned to me, smiled wearily and explained: 'Soviet car'. By that time, that was all the explanation I needed.
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The reporter claimed he was going to write the article from my point of view. Instead, he made me sound like a little idiot. It made me never want to do another interview again.
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The other day John McCain appeared on the show 'The View,' and one of the hosts accused McCain of being a liar. Yeah, she may have a point, because McCain started the interview by saying, 'Ladies, you look beautiful.'
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It is crazy even to ask what creativity is. It would be just as useful to interview a caraway plant in your garden and ask: "How did you decided to be a spice?"
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Why not interview those with opposing views separately and give each more than a minute or two to make their point without having to respond to another person's debating tactics? And why not encourage interviewers to intervene when blatant errors or falsehoods are offered as facts?
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If an interview just serves the idea of celebrity, then I think that sucks. I don't want to do that.
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The way I go about making a movie... even the ones that are interview-driven, I go into them not knowing what's going to happen, and feeling my way through.
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We asked a minister for an interview - you know the rest.
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I heard that you did not have a judge to interview this month in the Bulletin, so I thought I'd help out. Besides, with the Stock Market tanking recently, it reminded me of the good old days.
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When I interview people accused of capital offenses, I never even ask if they did it. I would consider that unprofessional.
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Occasionally her tongue darts out between her lips, which makes me think of a snake, or Jared Leto during a television interview.
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I can't live in a bubble and expect to come and work with Dior or go work on a movie and not have some kind of an evolution within myself and my own thought process and a passion about things or what's happening in the world. All of those things are the elements that make you who you are, and those are the things that sincerely come across in a photo or a commercial or in an interview. That's a constant thing for me.
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As Martin noted, to the detectives conducting his interview, it was a good thing he'd been inebriated, because otherwise he would have wasted time screaming and running about - especially once he realized he was standing in a pool of blood. Instead, with the slow methodical patience of the drunk and terrified, Martin Turner dialed 999 and asked for the police.
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… and if you want to hear more of that interview, fly to America and watch TV on Sunday night.
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I have a radio show for the Sirius Satellite Radio Network. It's an interview show. It's called The Spectrum.
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I'm a writer, so I interview people all the time, and I think of it as being a very creative process. Giving interviews is actually one of the most creative parts of the film promotion process.
