Chuck Klosterman Quotes
To me, every interview, even if you love the artist, needs to be somewhat adversarial. Which doesn't mean you need to attack the person, but you do need to look at it like you're trying to get information that has not been written about before.
Quotes to Explore
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As for my diet, I try to eat lean, clean and healthy - nothing too surprising. And I avoid too much meat or dairy because they slow you down.
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I feel the happiest when I'm at the golf course. And I feel calm when I'm on the golf course. I think I'm just a much better person when I'm on the golf course.
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I've spoken with friends who are rabbis and priests and we've agreed that most people have an emotional attachment to their faith, a desire to fulfill their spiritual longings, but they are not experts in understanding the history of their religion.
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We need leaders who will stand unapologetically in defense of marriage.
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The only difference between the Republican and Democratic parties is the velocities with which their knees hit the floor when corporations knock on their door. That's the only difference.
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In '87, I was about 9 years old, and so at that point I was wearing, like, fluorescent green T-shirts and acid-wash jeans and leg warmers, and my hair was in a ponytail with a scrunchie and I had the teased bangs that were up in a rainbow shape. It was crazy.
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I think we learn from medicine everywhere that it is, at its heart, a human endeavor, requiring good science but also a limitless curiosity and interest in your fellow human being, and that the physician-patient relationship is key; all else follows from it.
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I've always been very in tune to my voice and to other people's voices and how they express themselves vocally. And I always loved accents and dialects - I collected them like stamps.
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I remember growing up always loving the guitar. I used to love to watch the people play on the Country Western shows on TV. My folks told me that when I was just a toddler, I used to pretend I was playing a guitar on a toothpick.
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I once tried thinking for an entire day, but I found it less valuable than one moment of study.
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I probably have a higher opinion of my writing than the average person, at least when I'm in a good mood, but I don't really think of my plays as only being relevant to a particular month or year.
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It took me a long time to film the plastic bag, and then I had to get the cut of the scene right. But if you find it as beautiful as the character does, then suddenly it becomes a different movie, and so did he as a character.
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You can never fully put your finger on the reason why you're suddenly, inexplicably compelled to explore one life as opposed to another.
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You count a man's U.S. Amateur titles after he starts winning professional majors. That's something any intelligent golf writer with a sense of history is supposed to know.
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Hair is also a problem. I remember once, when I was reporting from Beirut at the height of the civil war, someone wrote in to the BBC complaining about my appearance.
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My job is making money, helping other people make money. I am spending money, trying to make sure more people get rich, because you cannot spend a lot of money, right? So my job is spending money, helping others. This is a headache.
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Telly never has any smart, amusing intellectuals living on a council estate.
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Modeling has always played off my D.J.-ing, but it is a fun supplement.
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I was lucky to have parents who loved me.
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I'd say probably the most epic experience was before the Victoria's Secret show - I think it was before the casting - and I saw Naomi Campbell at a party. I was saying that I was nervous about my walk and she said "Come to my hotel tomorrow and we're going to practice." So I went in New York and we practiced in the hallway of her hotel with all of the hotel staff watching. She just said "Don't even flinch. Keep going!" It was hilarious, but I think that was kind of a confidence booster.
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I believe in women; and in their right to their own best possibilities in every department of life. I believe that the methods ofdress practiced among women are a marked hindrance to the realization of these possibilities, and should be scorned or persuaded out of society.
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Truly, one gets easier accustomed to a silken bed than to a sack of leaves.
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You have to believe that you are the character or the thing or whatever the hell you're playing.
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To me, every interview, even if you love the artist, needs to be somewhat adversarial. Which doesn't mean you need to attack the person, but you do need to look at it like you're trying to get information that has not been written about before.
