Live Quotes
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I couldn't continue to live in a bubble and hope to be an empathic actor. It doesn't work.
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I think generally playing live is a crap idea. So much of stage work is the presentation of personality, and I've never been interested in that.
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No single event can awaken within us a stranger totally unknown to us. To live is to be slowly born. It would be a bit too easy if we could go about borrowing ready-made souls.
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It used to be that you made an album and then you went on the road to promote that album, hoping for good record sales. Well, good record sales basically don't exist any more, and the emphasis has been more on the live show.
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Someone asked me if I was afraid to write my memoirs. I told him: 'We have to stop drawing up accounts of fear! We live in a society in which people are allowed to tell their story, and that is what I do.'
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You know well I couldn't bear to live with a low common man after you two; and it's wicked and cruel of you to insult me by pretending I could.
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This country owes them all a debt of gratitude. The down payment on that debt is making sure that we live up to Lincoln's charge: to care for him who shall have borne the battle, and for his widow, and his orphan.
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I live for my children, so my number one rule is I won't go away from home for more than two weeks.
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We either live with intention or exist by default.
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To be an actor is to be ambiguous in every form, which is a very hard way to live. You represent desire: the desire of the director and the desire of the audience, even if it's a subconscious desire. If a director is to work with you for two months, he must be in love with you in some way or another.
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An impressive thing about India is the way in which it has almost as many Muslim citizens, who live with greater prospects of peace and prosperity, as does Pakistan. This comity and integration is one of the many targets of the suicide killers, and it is another reason why firm, warm solidarity with India is the most pressing need of the present hour.
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I want to live forever! I want to learn how to fly high!
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I was very lucky to be offered a lovely piece of property to build a career on. I started building a house on it, but it wasn't necessarily a house I would want to live in. So I ripped down that house, and I worked with these great lumberjacks to build a really cool cabin-a place I want to drink whiskey in and hang out until the sun rises.
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The suicide bombers who struck London on 7 July 2005 killed 52 innocent people and wounded hundreds more. All of them must live with their memories. And the rest of us will always remember where we were when we heard that London had been hit by the worst terrorist attack in its history.
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I live in this apartment building, and everybody who lives there thinks of me as a housewife. People drop their babies off with me. Or I get notes: 'I'm going to be gone for three days. The keys are under the mat; take care of the cats.' Because they all think I'm home all the time.
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There appear to be no integrating forces, no unified meaning, no true inner understanding of phenomena in our experience of the world. Experts can explain anything in the objective world to us, yet we understand our own lives less and less. In short, we live in the postmodern world, where everything is possible and almost nothing is certain.
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I don't know why people are so surprised by my live performances.
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One of the great penalties those of us who live our lives in full view of the public must pay is the loss of that most cherished birthright of man's, privacy.
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As one of the first African-Americans to be out on a reality program, MTV's 'The Real World: Philadelphia,' I understand the courage it takes to live your truth on a national platform, the importance it holds to LGBT communities of color, and the power it has to create a greater conversation within American culture.
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Moses became America's true founding father because he evangelized action; he justified risk. He gave ordinary people the courage to live with uncertainty.
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One of the effects of living with electric information is that we live habitually in a state of information overload. There's always more than you can cope with.
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People use the Method as a shield; it shields them from being vulnerable. I hear all these young actors who are like, 'I'm Method, I'm gonna go live in the house, you know, I totally get it, I've done it, I've been there', but one thing I know is it kills spontaneity.
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Work and pray, live on hay, you'll get pie in the sky when you die.
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And once you live a good story, you get a taste for a kind of meaning in life, and you can't go back to being normal; you can't go back to meaningless scenes stitched together by the forgettable thread of wasted time.
