Live Quotes
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Bergman movies were the most influential. They used to show at Goucher University, which was where my parents used to live. 'Brink of Life' was the first one I ever saw. Three pregnant women in a maternity ward and their misery - I love that. That is what I want to show at my funeral.
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I would rather die a meaningful death than to live a meaningless life.
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I am the kind of guy who has never taken myself too seriously. I mean, I am very serious about what I do; I'm very serious about the creative process and everything, but at the end of the day, I am just another lucky geek who got to live out a dream, you know?
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Oswald Cabal: Little animals. And if we’re no more than animals, we must snatch each little scrap of happiness, and live, and suffer, and pass, mattering no more than all the other animals do or have done. It is this, or that. All the universe or nothing. Which shall it be, Passworthy? Which shall it be?
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The people here in fact seem to live in the streets, which are alive from morning until night, not as they are in New York with that never-ending determination for the 'long-green', but with a pleasure-loving crowd that doesn’t care what it does or where it goes, so that it has a good time.
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We don't live alone. We are members of one body. We are responsible for each other. And I tell you that the time will soon come when if men will not learn that lesson, then they will be taught it in fire and blood and anguish. Good night.
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Weirdly enough, I live in London - was born there and have lived there all my life - but I hadn't made a film in London for a long time. I hadn't found the right subject. I liked going away, to some far flung place.
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I think a lot of my fans are anxious for more than just my singles. They know I'm a dreamer. They know I'm someone who is real spiritual. I love to have fun, and I always have fun songs - songs you can party to. But I also always have songs you can live to, that when you're depressed, it may lift your spirits up.
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You should know, whether you live in the U.S. or in the U.K., that your identity has already been stolen.
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There's real drama in performing live. You never know how it's going to be.
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God's plan is not to abandon this world, the world which he said was "very good." Rather, he intends to remake it. And when he does he will raise all his people to new bodily life to live in it. That is the promise of the Christian gospel.
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Sometimes even to live is an act of courage.
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How laudable it is for a prince to keep good faith and live with integrity, and not with astuteness, every one knows. Still the experience of our times shows those princes to have done great things who have had little regard for good faith, and have been able by astuteness to confuse men's brains, and who have ultimately overcome those who have made loyalty their foundation.
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I use acting to get away from myself and to live in someone else's skin, and I do singing to get inside my own skin. I need them both for my emotional health.
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That's the way we see life: your community is your survival. And if you live in a small community like this, even the people you hate you have as friends.
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When I graduated from college, I moved to New York and started doing improv because I read all about the early 'Saturday Night Live' guys having come through Second City and learning how to improvise, so I wanted to get immediately into that.
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My imperative is to seek every moment and to live so God is in control.
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Beliefs about how you live your life, matters of private decision, views best kept for private enjoyment, prejudice or entertainment, can't be imposed by the operation of criminal law. Attempts to enforce such views can only make the government the subject of ridicule.
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I liken myself to someone who built the house he will live in one day and is preparing to furnish it.
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As soon as you become afraid to make a fool of yourself, you're in trouble. I decided I may as well just see if I can live with myself making millions of mistakes and learn something from it.
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My live performance, it just comes from feeling an energy and emotion from the crowd.
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It's important for me to go back into the ghetto, where I'm from. I still get my oxygen from there. I don't live in the ghetto anymore, but every time I go back, I'm still seeing the same things that I lived.
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I really want to do the unexpected, and I think that's what I did when I executed 'Long.Live.A$AP.' I wanted people to really see the message and that I'm an artist who not only has the capability of rapping, but of composing great music both for people of my generation and for people with different backgrounds.
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Once you know trans people, all you wanna do is protect them. They're not out to hurt anybody. They are trying to live.