Myself Quotes
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I base myself in African-derived music. Blues is one of the modern forms of African music.
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I realized I had been keeping people around even when deep down I knew they were bad for me. I had overridden myself.
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In my personal life, I really like the look of vests. I wear fitted, business ones, and perfectly preppy sweater vests that I can knit myself.
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I just want to be myself and be real and be funny.
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That's one of the lucky things about getting the success later on. I know how I want to dress, I know what kind of house I want to live in, I just know more about myself, and that's true about the roles I want to play and what parts of myself I want to express. You're just more in touch with yourself.
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I felt within myself that I needed to change what I was doing. I needed a new stimuli. So the interest from Manchester United was a perfect fit.
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I went through a lot in middle school, and you always try so many different looks and try to be so many different people. I finally realized I'm awkward, I'm lanky, and I'm going to embrace it - make fun of myself and just laugh.
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I should have been a much better artist if I could have studied more and amused myself less.
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I used to think I needed a man to define myself. Not any more.
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I've taught myself how to use good, fresh ingredients and to prepare them as simply as possible by cooking only to enhance their intrinsic flavors.
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I never want to hold myself up as the poster child of the successful mother-businesswoman. It's a total 'Gong Show.' I won't pretend. When you do so many things, something always suffers. You just can't be great at everything.
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Michael Jordan and Magic and myself all learned how to play the game in college programs that emphasized the team.
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If I go out there and am myself, and I do what makes me comfortable and what I think is true to my artistry, and they don't like it, then that's fine. I walk off stage, and I know there's nothing there's nothing I could have done differently.
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When I was on a major label I felt obliged to say yes to every interview, tour and whatever else. The label is always telling you, 'This ain't going to last,' so I worked myself half to death. I learnt from that and I like to pace myself now.
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The reason I got into acting was not to explore myself. I was a reader, I didn't care about acting. I got into it in college, but I had no interest really in that, in getting up in front of anybody.
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'The Lion' all began with a picture of a faun carrying an umbrella and parcels in a snowy wood. This picture had been in my mind since I was about sixteen. Then one day, when I was about forty, I said to myself, 'Let's try to make a story about it.'
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I don't know what my label is. I just think of myself as a plain forward. I like to think I have some finesse to my game, but inside the paint is where men are made. If you can't play there, you should be home with your mama.
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It took me a long time not to judge myself through someone else's eyes.
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Acting had been a hobby that turned into a career, the directing was a hobby that turned into a career, and music just really allowed me to find another way to express myself. I started playing bass in November 1996, and by June 1998 I was doing my first live show.
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Singing for stage, if you don't hear yourself, that's when you push, and that's when you can hurt your voice sometimes. So if I can hear myself in my ear, it really helps me to find that balance of how loud I needed to be singing.
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When I finish a film, I want to forget it. I never like to repeat myself. Maybe, when I am dead, they will find certain consistencies in the style of my films, but I never want one film to look like another.
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Not a lot of people know this, but I'm very good at mathematics. When I was an angry teenager, I used to sit in my room and do quadratic equations to calm myself down.
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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After that I won a prize, I was with a group of ancient music of Spain that they helped me a lot with a grant, you see, during three years. And so I made my debut in 1944 and I found myself helping my family, it was a very poor family.
