Myself Quotes
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I'm really at ease in being me and going all around the world playing music. But I do get a lift once we start. I'm humming stuff in the dressing room and smiling, looking at myself and making sure I don't have nose hair! But once I get really close to the stage, and the guys are doing the intro thing, I do get a pick-me-up.
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I will always be open to receive my friends. I will not force myself on them.
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It would be easy to blame Hollywood to say that I was typed and forced to play the same role over and over. For a while, I did. But the truth is that I knew what I was doing. I was enjoying myself. I was making money.
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I don't see myself in the political realm.
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For me, acting comes straight from the heart. In that sense I don't act at all. I think that to feel the character's pain I have to be myself. Somewhere audiences see that.
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I often wonder whether Negroes like myself who are pretty well known help out at all in breaking down barriers.
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I think it's just important to be able to keep things to myself and to have these moments that can't be - where I don't put them out and feel like they could be misunderstood, you know?
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To praise it would amount to praising myself. For the entire content of the work... coincides almost exactly with my own meditations which have occupied my mind for the past thirty or thirty-five years.
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I have to say that getting to tackle Maria in 'The Sound of Music' at Carnegie Hall was surreal. When I heard my voice, it was all I could do to keep myself from doing a British accent and sound like Julie Andrews!
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Where you used to be, there is a hole in the world, which I find myself constantly walking around in the daytime, and falling in at night. I miss you like hell.
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I've always viewed myself as a brand. When I started 10 years ago, that was very controversial. 'Marketing' and 'PR' were dirty words for the literary world, but that has changed. Once the book is finished, I want as many people as possible to read it.
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I worked with Herb Ritts on the Marky Mark shoot, and then Steven Meisel, and then they'd start sending limos for me, and I was like, 'That is so embarrassing. I'm not getting in a stretch limo by myself to go to a shoot.' That whole New York thing of, 'You are fabulous! Turn up to a Meisel shoot in a limo and you're fabulous!'
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Some say I'm an overnight success. Well, that was a very long night that lasted about 10 years. But while I do, of course, now feel the pressure having had books that have been very successful, I just know I have to concentrate on writing for myself. I can't worry about genres or markets or what might be commercial or not. That never works.
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Life is so much easier when I allow myself to be myself and go with the flow. Whatever that looks like on a given day. If I can get quiet enough to truly check-in with myself, I usually end up on the right track.
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My job is to put myself out there. It's beyond my control how I'm perceived.
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If I feel that I'm not able to do my best work - whether that's my own fault or as a result of an editorial situation - then I need to stop doing it. I would rather not do something than do it badly or ineffectively. It's the only way I can live with myself and do right by the fans in the long haul.
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I take none of that to heart. I don't feel like there's anything that I need to do for anybody else. I want to win bad enough for myself anyway, that nothing anybody can say can make me want to win any more.
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Sometimes I'll lock myself in a room and dance. I'll turn music on as loud as possible and just get weird!
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I consider myself very lucky, essentially - I was put into a pop group even though my musical taste was very niche before.
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I've always had high expectations of myself. I've never felt that there was anything I couldn't do in this world.
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The great fun for me is these collaborators. I'm nothing by myself. Being with these people, whether it's the 'Homeland' cast or stage collaborators, they make you everything you are. They make you come to work. They make you be alive.
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Or the other process that is important is that I compress longer sections of composed music, either found or made by myself, to such an extent that the rhythm becomes a timbre, and formal subdivisions become rhythm.
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There are lots of things I'm acquainting myself with now to be a more well-rounded person.
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Originally, I wanted to be a composer. I always tell people, 'I think of myself as a composer.'
