Studios Quotes
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I'm always on tour, so I'm always trying new tracks out live before they're released. That's more necessity than anything, because I don't get a proper chance to sit in a studio and work on tracks like other producers do.
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As opposed to coming up with something fantastic and trying to sell it to a studio, now all you have to do is get people to believe what you believe.
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Almost everything I learned about being an actor came from those early years at the Actor's Studio.
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I don't like to deal with studios. I don't like to have conversations with executives. I pitch to the studio, then never talk to them until the test screening.
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I cannot tell you how many people, powerful people, come to my studio and they are in tears they are so moved by what they see.
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I grew up in dance studios. I was forced to be in several numbers in recitals and dance competitions. I took one tap class - literally one class - and then I quit.
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I love collecting; my joy is finding private press American or European home studio electronic music from the 60s and 70s.
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I always feel like there's something magic in recording studios. There's a reason good music continues to be made in them. It's just some mojo element.
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When I'm in the studio, there are no boundaries.
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Studios always seem to be in basements without natural light and with black everything.
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It took a while for me to be able to sit in a room of studios and financiers and say, "I'm not some hoity-toity actress looking for a vanity deal - I really know how to make a film!" In order to do that, you've got to break your f-cking back.
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Studios are run by those who are way too old or mostly young, who don't think creatively.
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I couldn't sell pills no more [because my] homie went to jail. I was just dirt broke. I went to TDE and was literally living in the studio where you record. I went damn near a whole two years not getting sleep because there was always somebody there recording. I was taking baths with dishwashing liquid.I was one of the dudes [who] would never ask for nothing so I would never ask for soap.
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I'd love to do a live record, I'd love to do an acoustic record, I'm already thinking about what I may want to do with the next studio record.
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Studios, to cut through the clutter, want recognisable titles. But that does not excuse you, as a writer, from having an original story.
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It makes no sense at all to try to deny the reality of Jewish power and prominence in popular culture. Any list of the most influential production executives at each of the major movie studios will produce a heavy majority of recognizably Jewish names.
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The fascinating thing about the studio was that there was no story department. They would put a little notice up on the bulletin board saying: 'The next Oswald will take place at the North Pole. Anybody having any gags, please turn them in before such a date.' If you turned in gags regularly, the way Tex Avery, Cal Howard, Jack Carr and two or three others of us did, you'd be called into the gag meeting. The group would go into Walt's office and talk about whatever the subject of the cartoon was. Walt would put it into some kind of form and that was the story--no scripts, no storyboards.
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Every time I'm not on a project, I'm writing or in the studio or doing gigs DJing.
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I'd love to find a small movie that someone would sign off on me to do. I have no aspirations to do a big studio film because I don't think anyone would let me.
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I've only ever gone into studio films with people I really like.
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(on Warner Brothers) This studio has more suspensions than the Golden Gate Bridge.
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Just writing and being in the studio was like therapy for me.
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I love the magic of the studio.
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Studios are mercurial kind of creatures. A lot of the times getting a movie out can be as much luck as anything else.
