Studios Quotes
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I grew up in dance studios. I was forced to be in several numbers in recitals and dance competitions. I took one tap class - literally one class - and then I quit.
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When I was born, they didn't work. They're broken, the nerves in my lower left lip. When I was kid, I would talk out of the side of my face. When I was 16 and came up to Hollywood from Orange County, I was in this cattle call audition for Batman and Robin at Warner Bros., and they interviewed me out front of the studio. When I got home, I was like, "Oh, this was exciting!" But then when I watched the news, I was like, "Mom, what is wrong with my mouth?!"
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Studios are run by those who are way too old or mostly young, who don't think creatively.
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Studios always seem to be in basements without natural light and with black everything.
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I'd love to do a live record, I'd love to do an acoustic record, I'm already thinking about what I may want to do with the next studio record.
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In terms of the way the industry operates, the studio system was such its own thing. It's so different now that it's a globalized world.
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Every time I'm not on a project, I'm writing or in the studio or doing gigs DJing.
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I couldn't sell pills no more [because my] homie went to jail. I was just dirt broke. I went to TDE and was literally living in the studio where you record. I went damn near a whole two years not getting sleep because there was always somebody there recording. I was taking baths with dishwashing liquid.I was one of the dudes [who] would never ask for nothing so I would never ask for soap.
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I don't think anybody at the major studios is rushing to offer me a romantic lead.
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When we are in our studios, in our private space... we need to block out the outside world; we need to disbelieve anything that would doubt us, because - everyone will doubt us if we allow them that space.
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I always loved music and I always loved to perform, and that's my favorite part, to perform; my favorite part is not the studio, I can't stand the studio.
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Just writing and being in the studio was like therapy for me.
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I always feel like there's something magic in recording studios. There's a reason good music continues to be made in them. It's just some mojo element.
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Studios, to cut through the clutter, want recognisable titles. But that does not excuse you, as a writer, from having an original story.
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The fascinating thing about the studio was that there was no story department. They would put a little notice up on the bulletin board saying: 'The next Oswald will take place at the North Pole. Anybody having any gags, please turn them in before such a date.' If you turned in gags regularly, the way Tex Avery, Cal Howard, Jack Carr and two or three others of us did, you'd be called into the gag meeting. The group would go into Walt's office and talk about whatever the subject of the cartoon was. Walt would put it into some kind of form and that was the story--no scripts, no storyboards.
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I'd love to find a small movie that someone would sign off on me to do. I have no aspirations to do a big studio film because I don't think anyone would let me.
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I've only ever gone into studio films with people I really like.
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I feel that puttin' in the hours and years in the studio, honing my craft, definitely played a part, me consciously networking and presenting myself as an artist that's commercially sellable led to me meeting the right people, which in turn led to them givin' me positive referrals to other people, which in turn led to me signin' a deal.
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I love the magic of the studio.
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I cannot tell you how many people, powerful people, come to my studio and they are in tears they are so moved by what they see.
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I thought 'Borat' was a breakthrough comedy, because it was really funny. It wasn't some studio-produced script with 14 writers.
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I always say that candy is the perfect studio food - it keeps your energy going.
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Only the public can make a star. It's the studios who try to make a system out of it.
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(on Warner Brothers) This studio has more suspensions than the Golden Gate Bridge.
