Studios Quotes
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I don't think an NC-17 rating is the kiss of death. Nor do I think that, in the hands of the right filmmakers, studios have a preconceived notion to pass on NC-17 material.
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I always loved music and I always loved to perform, and that's my favorite part, to perform; my favorite part is not the studio, I can't stand the studio.
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Studios are run by those who are way too old or mostly young, who don't think creatively.
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It took a while for me to be able to sit in a room of studios and financiers and say, "I'm not some hoity-toity actress looking for a vanity deal - I really know how to make a film!" In order to do that, you've got to break your f-cking back.
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I don't think anybody at the major studios is rushing to offer me a romantic lead.
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When we are in our studios, in our private space... we need to block out the outside world; we need to disbelieve anything that would doubt us, because - everyone will doubt us if we allow them that space.
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In terms of the way the industry operates, the studio system was such its own thing. It's so different now that it's a globalized world.
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I grew up in dance studios. I was forced to be in several numbers in recitals and dance competitions. I took one tap class - literally one class - and then I quit.
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I always say that candy is the perfect studio food - it keeps your energy going.
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Studios always seem to be in basements without natural light and with black everything.
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I couldn't sell pills no more [because my] homie went to jail. I was just dirt broke. I went to TDE and was literally living in the studio where you record. I went damn near a whole two years not getting sleep because there was always somebody there recording. I was taking baths with dishwashing liquid.I was one of the dudes [who] would never ask for nothing so I would never ask for soap.
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I always feel like there's something magic in recording studios. There's a reason good music continues to be made in them. It's just some mojo element.
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I'd love to do a live record, I'd love to do an acoustic record, I'm already thinking about what I may want to do with the next studio record.
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Every time I'm not on a project, I'm writing or in the studio or doing gigs DJing.
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I cannot tell you how many people, powerful people, come to my studio and they are in tears they are so moved by what they see.
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Just writing and being in the studio was like therapy for me.
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I've only ever gone into studio films with people I really like.
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It makes no sense at all to try to deny the reality of Jewish power and prominence in popular culture. Any list of the most influential production executives at each of the major movie studios will produce a heavy majority of recognizably Jewish names.
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I'd love to find a small movie that someone would sign off on me to do. I have no aspirations to do a big studio film because I don't think anyone would let me.
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The fascinating thing about the studio was that there was no story department. They would put a little notice up on the bulletin board saying: 'The next Oswald will take place at the North Pole. Anybody having any gags, please turn them in before such a date.' If you turned in gags regularly, the way Tex Avery, Cal Howard, Jack Carr and two or three others of us did, you'd be called into the gag meeting. The group would go into Walt's office and talk about whatever the subject of the cartoon was. Walt would put it into some kind of form and that was the story--no scripts, no storyboards.
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Studios, to cut through the clutter, want recognisable titles. But that does not excuse you, as a writer, from having an original story.
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I love the magic of the studio.
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What I did was go into the studio and make music that I love. Make music that when you hear it, it feels good. Whether it was urban inspired, dance inspired, HipHop inspired or it just feels good period.
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(on Warner Brothers) This studio has more suspensions than the Golden Gate Bridge.
