Story Quotes
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Jazz speaks for life. The Blues tell the story of life's difficulties.
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New York in a way functions as another character within the story, as it does within most of Woody Allen's stories.
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I steer clear of books with ugly covers. And ones that are touted as 'sweeping,'_ 'tender' or 'universal.' But to the real question of what's inside: I avoid books that seem to conservatively follow stale formulas. I don't read for plot, a story 'about' this or that.
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A true epilogue is removed from the story in time or space. That's the reason it is called an 'Epilogue'; the label serves to alert the reader that the story itself is over, but we are going to now see a distant result or consequence of that story.
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The difference between memoir and autobiography, as far as I see it, is that a memoir is there primarily to tell one particular story, whereas an autobiography tries to be a full account of a life.
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The anti-hero or hero usually has a journey or quest so they are interesting as you find out what's going to happen, what they are looking for. What are they trying to do? Sometimes what they do is heroic or comes with a price or sacrifice or maybe the way they do things isn't so great and that's when they become anti-heroes. But the journey of an anti-hero combined with a good story done well is always worthwhile.
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But basically, I'm trying to write a fun story.
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What a different story men would have to tell if only they would adopt a DEFINITE PURPOSE, and stand by that purpose until it had time to become an all-consuming obsession!
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'ABCD...' was a dance movie, but it had an emotional story, and now 'ABCD 2' is a very emotional film, too.
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One thing that's really pulled me in to helping artists create their album is that I get to help them tell a story. It's about the way you frame that story and finding the best way to tell that story.
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And once you live a good story, you get a taste for a kind of meaning in life, and you can't go back to being normal; you can't go back to meaningless scenes stitched together by the forgettable thread of wasted time.
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There is a sequence of events in our lives and so there's a temporal aspect to our experience that brings by itself, sense into the story. In other words, you were not walking before you were born and you were not doing X and Y before you did something else first. So there's a sequencing of events that imposes a certain structure to the story.
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The meaning of the story is the story.
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My sister is also retarded. Across the board. She's a one hundred per cent, honest to goodness, born that way retard. I learned a long time ago that if you're going to tell a story about your retarded sister, you need to mention she's retarded right off the bat or inevitably, at the end of the story, someone will say, What... is she, retarded? And then you have to go, Uh... yeah, she is. Followed by a lengthy, awkward silence.
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I've really gotten to play a lot of different things, starting with 'Southpaw.' For 'Spotlight,' I got to play this amazing journalist, Sacha Pfeiffer, who worked at the 'Boston Globe' when they broke the story about the sex scandal in the Catholic Church.
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Bayern and their fans will always be the most beautiful and most emotional story of my career.
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I would love to do a biopic of a famous singer, like Diana Ross or Donna Summer, or an old jazz story that we haven't seen before. I would love to do that! I would love to play Diana Ross 'cause she's an icon. I'm salivating to do that.
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The real difference between telling what happened and telling a story about what happened is that instead of being a victim of our past, we become master of it.
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Usually, there's a story I've told that leads up to why I'm singing the song. The whole concept of the show was about being authentic and connecting with these songs. The best way to do that was in a room with an audience and for people to listen to that.
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Sometimes you can tell a large story with a tiny subject.
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Thats all were worried about is just facts, the facts, which are public record, tell a totally different story than what this documentary talks about.
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History is not what happened 200 or 2,000 years ago; it's a story about what happened 200 or 2,000 years ago.
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The thing with film and theater is that you always know the story so you can play certain cues in each scene with the knowledge that you know where the story's going to end and how it's going to go. But on television nobody knows what's going to happen, even the writers.
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I'm not a big fan of there being voiceovers in movies. I really prefer it when the film tells it story.
