Story Quotes
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It is possible that our race may be an accident, in a meaningless universe, living its brief life uncared for, on this dark, cooling star: but even so - and all the more - what marvelous creatures we are! What fairy story, what tale from the Arabian Nights of the jinns, is a hundredth part as wonderful as this true fairy story of simians! It is so much more heartening, too, than the tales we invent. A universe capable of giving birth to many such accidents is - blind or not - a good world to live in, a promising universe. . . . We once thought we lived on God's footstool, it may be a throne.
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But to me, the most important page in my daughter's book is the last one – because it's blank. It says 'Your Hero's Photo Here,' and 'Your Hero's Story Here.'
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A true epilogue is removed from the story in time or space. That's the reason it is called an 'Epilogue'; the label serves to alert the reader that the story itself is over, but we are going to now see a distant result or consequence of that story.
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That was the best kind of story: when the teller was as much under its spell as the listener.
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Believe it or not, in 1969 the French writer Georges Perec wrote a palindromic story that was 500 words long! The whole story reads the same backwards as forwards.
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Thats all were worried about is just facts, the facts, which are public record, tell a totally different story than what this documentary talks about.
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It is still on the front burner. We really have to get the story right. The story has to be really good for any of us to do it, and there are three pretty strong-willed creative minds involved in saying yes.
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If you tell the same story five times, it's true.
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The anti-hero or hero usually has a journey or quest so they are interesting as you find out what's going to happen, what they are looking for. What are they trying to do? Sometimes what they do is heroic or comes with a price or sacrifice or maybe the way they do things isn't so great and that's when they become anti-heroes. But the journey of an anti-hero combined with a good story done well is always worthwhile.
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I've really gotten to play a lot of different things, starting with 'Southpaw.' For 'Spotlight,' I got to play this amazing journalist, Sacha Pfeiffer, who worked at the 'Boston Globe' when they broke the story about the sex scandal in the Catholic Church.
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It's fun, I suppose. It may be that the story of Hanukkah has appeal, that's it's about not assimilating, about fighting oppression. But it's probably because they grew up with it.
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The real difference between telling what happened and telling a story about what happened is that instead of being a victim of our past, we become master of it.
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I'm probably more character-driven than plot-driven. It's rare for me to attach myself to an idea for a story.
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Let go of your story so the Universe can write a new one for you.
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What I tell people is be the best version of yourself in anything that you do. You don't have to live anybody else's story.
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The difference between memoir and autobiography, as far as I see it, is that a memoir is there primarily to tell one particular story, whereas an autobiography tries to be a full account of a life.
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I steer clear of books with ugly covers. And ones that are touted as 'sweeping,'_ 'tender' or 'universal.' But to the real question of what's inside: I avoid books that seem to conservatively follow stale formulas. I don't read for plot, a story 'about' this or that.
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Usually, there's a story I've told that leads up to why I'm singing the song. The whole concept of the show was about being authentic and connecting with these songs. The best way to do that was in a room with an audience and for people to listen to that.
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...success part of story of fifty years of Independence … Maintaining and strengthening political democracy at various levels has moved to new levels. Conducting successive free and fair elections, evolving and developing institutions like a relatively independent press, functioning opposition parties offering role choice, an independent and high calibre judiciary, free public debate which sometimes comes under assault, defying freedom of expression and creativity and secularism as the basic feature of our constitutional and social well being.
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And once you live a good story, you get a taste for a kind of meaning in life, and you can't go back to being normal; you can't go back to meaningless scenes stitched together by the forgettable thread of wasted time.
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There are very few films that I've ever seen in my life that would be as silent or vacant as something like Jeremiah Johnson, and that to me was unbelievably captivating. You can see the same about [The Outlaw] Josey Wales: there's very little dialogue, and yet it contains such a deep, rich story. I've always thought of the western as American storytelling at its best.
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Fall down. Make a mess. Break something occasionally. Know that your mistakes are your own unique way of getting to where you need to be. And remember that the story is never over.
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I would love to do a biopic of a famous singer, like Diana Ross or Donna Summer, or an old jazz story that we haven't seen before. I would love to do that! I would love to play Diana Ross 'cause she's an icon. I'm salivating to do that.
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One thing that's really pulled me in to helping artists create their album is that I get to help them tell a story. It's about the way you frame that story and finding the best way to tell that story.
