Story Quotes
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I can't imagine being quite as lucky at any other time - I certainly never have been before. That goes right down from my producing partners to people like Eddie Vedder. But the two things that make me feel that this was meant to be now and not before was that the story itself has more resonance today - I find it a more important story today than it was then - and Emile.
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The Islamic conquest of India is probably the bloodiest story in history. It is a discouraging tale, for its evident moral is that civilization is a precious good, whose delicate complex of order and freedom, culture and peace, can at any moment be overthrown by barbarians invading from without or multiplying within.
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I was realizing, for the first time, that everything goes on, turns gray, is ruined in the living. That there is no end to our story until death comes and the body decays.
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The ideal set-up would be the story man, the director, and the layout man, as well as musician, operating as a sort of story unit. They all should be keenly interested in the picture. No one in person should donate to an extent where he would keep the others from entering into the production and freely expressing themselves.
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Character drives the story, and the story drives the book. I don't think about where the action should go, or how much there should be, until it's required by the characters. When I find myself adding conflict just because I'm afraid that the reader might get bored, I know I've taken a wrong turn somewhere.
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I have been the subject of ridicule. People talk about me and they don't know me and this is an opportunity to tell my story... to have my voice and to set the record straight.
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The thing that kept bringing us back to Pete's movie is that it was a story about real people. It (also) had a very specific locale; Chicago is to this movie what Boston was to 'Good Will Hunting,' ... It was enormously heartfelt and, ultimately, nobody could deny being moved by his story.
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And almost always there has to be change, change in the characters is the journey - it's the story.
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I wanna begin saying a story about my son. I have a four-year old son who loves superheroes from Spider-Man to Iron Man to Batman. He's got all the costumes. One day he looks at me and says 'Dad, I want to be light-skinned so I could be Spider-Man. Spider-Man has light skin.' That was sort of a shock. This is why I am excited to be a part of the Marvel Universe, so I could be hopefully provide that diversity in the role of the superhero.
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It is our American habit if we find the foundations of our educational structure unsatisfactory to add another story or wing. We find it easier to add a new study or course or kind of school than to recognize existing conditions so as to meet the need. strangled the holy curious of inquiry. It is a very grave mistake to think that the enjoyment of seeing and searching can be promoted by means of coercion and a sense of duty.
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I'd love to have a program like 'Dr. Laura.' I studied psychology at the University of Miami, and when I rode the bus home from school, perfect strangers would strike up conversations with me and end up telling me their life stories. I think they could sense that I was studying to help people. That, or I have a face like a priest.
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There's so much grey to every story - nothing is so black and white.
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The story ends up being a journey of self-discovery.
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The germ of a story is a new and simple element introduced into an existing situation or mood.
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Usually when you start the characters, the first thing is the script. Your design work is about telling the story. It's later that casting comes into play, but it's a huge component.
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That Monday after we lost to Washington, that's when everything hit the fan. But instead of succumbing to the environment at that particular time, it was more or less, 'What are we going to do to make this thing turn around?' We decided we had a lot more football to play, and what a story it would be if we turned it around and made the playoffs. And we did just that.
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I am waiting for the right story to tell. Just like 'Man of Tai Chi' just seemed to be the right story to tell. So I'm looking for that. Because I really love directing. I love developing the story. I love actors. I love the cinema of it, the way that you tell a story visually.
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I fell in love with the possibilities of telling the story in the future, and married that quickly.
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After all, it was only a story,' I said, determined to prove her wrong. 'All manner of terrible things may happen in a story. They may be startling at the time, but it passes. One gets caught up in the narrative, but the dangers aren't real, are they? Things happen in any way the storyteller chooses. It is all just made up.
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A lot happens when the prince and princess live happily ever after – the king, his father, dies, so he is now ruler and she his queen, they have their children, she conducts discreet affairs with Sir Lancelot, there are border uprisings...but still the story ended when the love toward which their destinies drove them came to mutual consciousness when they knew, each knowing the other knew, that they were meant for each other.
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Any advice I could give to female directors would be the same as for males: There will be endless difficulties, some seemingly defeating, on your way. That's a given. Just wipe out the very notion of stress. Concentrate on your actors. Obsess about your story and the world it is anchored in. Deal with the hundreds of down-to-earth issues [around] the existence of your film. At some point, everything will be ripe. And you wouldn't be able to stop your film from coming to life even if you wanted to.
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We write to tell a story, to describe an event, to imagine or explain what has been or will happen, to warn or touch or inspire. We write to express our most profound emotions—love and hatred, joy and sorrow, humor and sadness.
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Some paint comes across directly onto the nervous system and other paint tells you the story in a long diatribe through the brain.
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Don't think you haven't lived long enough to have a story to tell.
