Story Quotes
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Romantic fiction, in the broader sense, can be any novel that has a love story somewhere in it. It can be a mystery or a historical novel, as long as it has this very strong romantic thread running through it.
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I didn't wake up one day and say, I have to tell O.J.'s Simpson story. But what drew me to it wasn't what people have focused on over the last 20 years - meaning, the question of innocence or guilt, nor the spectacle of the trial. I was more interested in the history that led up to that point in time in 1994, which would help explain what exactly went into making the trial as fascinating as it was.
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In drama, the characters should determine the story. In melodrama, the story determines the characters.
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Hounds and hearthstones, girl, haven't you ever heard a story about Koschei? He's only got the one. Act one, Scene one: pretty girl. Act one, Scene two: pretty girl gone!
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The story is the first thing and the last thing.
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If you're going to have a complicated story you must work to a map; otherwise you'll never make a map of it afterwards.
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A lot of people have that story that they used to sell crack or shoot people; that's nothing new. But honestly, if that was me, I probably still wouldn't be doing that because it's so many people that's doing that. It just gets old when you hear a million raps about how many ways I could shoot you. So I just try to be more creative and come with something new because I actually care about the music.
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I did a film called 'Fort McCoy,' based on a true story of one of the few internment camps during WWII that was actually in the United States.
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Whether or not you agree with Ayn Rand - and I have certain issues with some of her beliefs - the woman can tell a story. I mean, the novel as an art form is just in full florid bloom in 'Atlas Shrugged.' It's an unbelievable story. The characters are so compelling, and what she's saying is mind-expanding.
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I'm the hero of this story, I don't need to be saved
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Anything you write, even if you have to start over, is valuable. I let the story write itself through the characters.
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The filmmakers have a story they want to tell, and they go get the material they need for it. The film either exceeds or fails to meet up to their expectations or it's different.
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I think we begin to lose the ability to read in the deepest, most interpretive ways because were not kind of calming our mind and just focusing on the argument or the story.
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The moral of the story is this: sometimes, to do nothing, to do nothing at all, is the sorriest thing ever.
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All human beings have an innate need to hear and tell stories and to have a story to live by. . . .
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I like to go into things, and I like to make the most bold choice to tell the particular story being told.
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Every once in a while, there comes a story. A story that blows your mind. One where you know you've made a difference. That's what makes it all worthwhile. That and the anticipation. It's addictive, because you never know when it will happen, but when it does, nothing in the world is as important.
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Olive Kitteridge' is a masterpiece: The writing is so perfect you don't even notice it; the story is so vivid it's less like reading a story than experiencing it firsthand.
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When you got a great cast around you, it makes the story easier to tell, to be honest.
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We join God’s story and allow him to write our stories by engaging in his mission to the world as his image bearers and commissioned representatives.
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Any story told is a lie cunningly told to hide the real world from the poor bastards who live in it.
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There are times in our lives when we have to realize our past is precisely what it is, and we cannot change it. But we can change the story we tell ourselves about it, and by doing that, we can change the future.
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I think there’s this cult of objectivity in the U.S. about media. There are two sides to every story, but it’s not always objective that one side has as much right to narrate a story. I think it’s distorting to always impose that 50-50 impulse on everything you cover because otherwise you’ll be branded as “liberal” or “having an agenda.” Life is not 50-50…
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One of my greatest pleasures is falling into a story someone else has written.