Story Quotes
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I never know exactly where I'm going with a story, whether it's a short story or a novel. If I did I'd soon grow bored of it. The fun, for me, is in the finding out and the making sense of it.
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There are very few works of fiction that take you inside the heads of all characters. I tell my writing students that one of the most important questions to ask yourself when you begin writing a story is this: Whose story is it? You need to make a commitment to one or perhaps a few characters.
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Fiction is Truth's elder sister. Obviously. No one in the world knew what truth was till some one had told a story.
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Objects in pictures should so be arranged as by their very position to tell their own story.
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All writers are liars. They twist events to suit themselves. They make use of their own tragedies to make a better story... They are terrible people.
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If you don't want to be in a story, don't know a writer.
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If you ask another question like that we'll just make up a silly story.
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Rooted in the word history is story. And America's story is exceptional. It's amazing. Younger students should learn that we have always been and continue to be a land of immigrants - a land committed to bold new ideas.
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As a writer, I always try as hard as possible to get out of the way of the story, so maybe that's the most important thing my readers should know - I'm all about the story, not about the ego.
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Another story must begin!
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There's only one story, the story of your life.
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With each one, I love working on the story and the characters. The stunts, each time, we keep pushing ourselves harder and harder. And they are stunts, so there's always a danger in doing them, but fortunately, I have not had a problem. I have not missed a day of work, ever, in my career. I'm always there early. And I train very hard, and we prepare very carefully for each one.
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We join God’s story and allow him to write our stories by engaging in his mission to the world as his image bearers and commissioned representatives.
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I didn't wake up one day and say, I have to tell O.J.'s Simpson story. But what drew me to it wasn't what people have focused on over the last 20 years - meaning, the question of innocence or guilt, nor the spectacle of the trial. I was more interested in the history that led up to that point in time in 1994, which would help explain what exactly went into making the trial as fascinating as it was.
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At the end of the day, I'd much rather do a piece about people in a story that I find riveting and intriguing and moving, versus really carrying some kind of heavy political agenda on my sleeve. That's not who I am.
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One of my greatest pleasures is falling into a story someone else has written.
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The filmmakers have a story they want to tell, and they go get the material they need for it. The film either exceeds or fails to meet up to their expectations or it's different.
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Every once in a while, there comes a story. A story that blows your mind. One where you know you've made a difference. That's what makes it all worthwhile. That and the anticipation. It's addictive, because you never know when it will happen, but when it does, nothing in the world is as important.
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Every great love starts with a great story.
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Some directors can tell stories and it becomes very intimate and small, and it's almost like a secret. Some directors have the gift of finding a way to show it and tell the story, in a way that brings in the audience.
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It's an interesting job, it's a fascinating job, I can't imagine anything that would have given me more satisfaction, and not everything I did was awful, but it was just writing another story in a world that's full of stories.
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I'm the hero of this story, I don't need to be saved
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In drama, the characters should determine the story. In melodrama, the story determines the characters.
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When I moved to Beijing in 2005 to write, I was accustomed to hearing the story of China's transformation told in vast, sweeping strokes - involving one fifth of humanity and great pivots of politics and economics.
