Nicholas Royle Quotes
I never know exactly where I'm going with a story, whether it's a short story or a novel. If I did I'd soon grow bored of it. The fun, for me, is in the finding out and the making sense of it.
Quotes to Explore
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Every story I create, creates me. I write to create myself.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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Think about finding out when you're 13 that your dad is not your dad. It's like, okay, take it on the chin and keep going. No choice, really.
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I never want to write a book just to tell a story. There is always something deeper going on.
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The only thing I've kind of missed is finding a really good western that I want to do, because I watched westerns a lot.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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Genes are like the story, and DNA is the language that the story is written in.
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Every kid has a laptop; everyone can make music, so in order to stand out, I think it's important to find that sonic identity, I think my sonic identity - and mine is finding these weird sounds that may not necessarily sound that musical, and make them sound musical.
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Rag & bone images always reflect the authenticity of the brand. Their images have character and tell a story.
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The songs I love to sing are story songs, from Yiddish songs to Tom Waits.
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I try to tell a story musically in a song.
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When my wife passed, I stopped doing interviews and I stopped doing meet-and-greets, mostly because I sort of became this suicide ambassador. Everybody wanted to tell me their story.
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A news organization has a much different responsibility. I might not be telling you the whole story. I might not be telling you a story in a manner that is properly sophisticated.
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When you're a storyteller, part of the process of storytelling is the kind of communion you form with the audience to whom you're telling your story. If some segment of the audience doesn't like that story, it doesn't feel good.
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My only conclusion about structure is that nothing works if you don't have interesting characters and a good story to tell.
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I don't read for plot, a story 'about' this or that. There must be some kind of philosophical depth rendered into the language, something happening.
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I love that sense of release as you throw yourself into the crowd as hundreds of arms are carrying you.
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I have never let down Italy, and I never will. I love my country, and I owe a lot to my country, and in that sense, whatever I can and will be able to do for my country, I will do.
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My advice for other female directors: don't think of your gender as a handicap. Don't think about it at all. Just tell the best story you can, and don't stop until you do.
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It is absolutely love. For me, certainly.
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I started out with a dream to make a star in a jar in my garage, and I ended up meeting the President of the United States!
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I don't ever want to come home saying, 'I should have spoken my mind. I shouldn't have let someone say something that I didn't feel was right.'
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I never know exactly where I'm going with a story, whether it's a short story or a novel. If I did I'd soon grow bored of it. The fun, for me, is in the finding out and the making sense of it.
