Story Quotes
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You don't have to turn the Page, I read the Story, it ends with you and me.
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The typical journalist's typical lead for the typical Canadian story nowadays is along this line: that Canadians are hard at work trying to gain a reputation as a nation of rapid social change.
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I so wish people had seen it your way, but I think too many of us have read the story to say it gives European white males carte blanche to play God over creation; so `having dominion' gives them a license to pollute and exploit.
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I want to put people in the magazine who have their own social and digital footprints and will promote their story. I mean, when you look at this issue and you see Marc Jacobs and Amanda Brooks and Giovanna Battaglia, these are people with large social followings, and I know that when I work with them it’s going to get shared in a bigger way.
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Haruhi: This story has everything but the kitchen sink in it.
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The supporting characters typically carry less story/plot weight - so you can be more broad and pushed with them. Supporting characters also take up less of the film's screen time. A short is a great opportunity for supporting characters to shine.
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The power of the story sheds a light and great perspective on well known facts. The power of cinema draws on that collective history.
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I went to get a detective story. You have to kill time. But time will kill me too - and there´s the true, preestablished balance.
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Character drives the story, and the story drives the book. I don't think about where the action should go, or how much there should be, until it's required by the characters. When I find myself adding conflict just because I'm afraid that the reader might get bored, I know I've taken a wrong turn somewhere.
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Yes,but the news is no different from the drunk in the corner bar:he might have a good story, but that doesn't maen you can trust it.
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The Bible continues to tell the story of how God did not simply walk away from his creation in the midst of turmoil and rebellion but purposed to rescue it at great cost to himself through the sacrificial death and subsequent resurrection of his Son, Jesus.
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The story revolved around this universal identifiable fear that we must all have, at some point, when you commit yourself to being with another person, to have and to hold until death do us part. It's a huge thing. I just felt like it was a brilliant examination of what would happen, if the person that you trusted implicitly and thought you knew every follicle and pour of, inside and out, started to not be that person anymore, inside. Physically, they're still there, but they're not there mentally.
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It's always a pleasure to see John. I'm fond of telling people that when I was a young actor in NY and had no work ,no money, you know the story because you're heard it before.
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True love never has to end so why shouldn't our story continue after the last page has been written.
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Any story that I write or tell is rooted in personal truths in some fashion or another, so they’re all very personal to me.
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Audience members are only concerned about the story, the concept, the bells and whistles and the noise that a popular film starts to make even before it's popular. So audiences will not be drawn to the technology; they'll be drawn to the story. And I hope it always remains that way.
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I look at albums like novels. If you write a really good scene or a really good moment, just because you wrote it, doesn't mean that it fits with the story that you're writing.
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The story of a mother's life: Trapped between a scream and a hug.
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If you ask another question like that we'll just make up a silly story.
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But those words were only the middle of the story. There was a beginning here, too.
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The most I can do is to go as far as I can, writing my own story in the dust with my two feet, word for word.
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Whatever else I know, I know that if you invest love and care in any individual you can help them to make a difference, to write their own life story.
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With each one, I love working on the story and the characters. The stunts, each time, we keep pushing ourselves harder and harder. And they are stunts, so there's always a danger in doing them, but fortunately, I have not had a problem. I have not missed a day of work, ever, in my career. I'm always there early. And I train very hard, and we prepare very carefully for each one.
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At the heart of any successful film is a powerful story. And a story should be just that: a narrative with a beginning, middle, and end, powerful protagonists that audiences can identify with, and a dramatic arc that is able to capture and hold viewers' intellectual and emotional attention.
