Film Quotes
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'Mafiosa' was written by Veronica Russo. It's her first time making a film, and I'm really proud of her because this woman has a full-time job, and she decided one day, 'You know, I want to write a film, and I want to make it.'
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A film that is bleached tends to have a more realistic quality.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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Strange – I'm not much of a film person. I love watching films, but they don't stay with me the way books do. Stranger still, because my husband is a screenwriter!
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Every film is hard to fund.
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I have never seen it (Jaws 4) but by all accounts it is terrible. However, I have seen the house that it built and it is terrific.
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Brad [Pitt] and I have never wanted our kids to be actors. We've never talked about it. But, we also want them to be around film and be a part of mommy and daddy's life, and for it not to be kept from it either. We just want them to have a good, healthy relationship with it.
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Film can be exciting, but more often, it's tedious.
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It's great to sit and talk about the films and the people I work with, rather than where I buy my socks or whatever.
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You're a professional. You don't need for me to break a film down for you. If you want to stop the guy you're playing, they pay you millions of dollars. You get you a TV and break the player down yourself.
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You make yourself do the physical aspects for a Christopher Nolan film!
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I think auditions are set up for failure because they're not really the set experience. There's no time to develop the character. You're just looking at someone... if someone's really good in an audition, sometimes they're not good in the film. It's something you learn when you're doing short films. It's the same way that some people do well at taking tests and some people don't. But when you're on a long-term filmmaking process it's a completely different feeling.
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In France and other European countries, film stars are more celebrated. In Germany, if we are good at what we do, we are respected but not acclaimed. And, of course, we are not paid like Americans are.
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I think a lot of theater actors that were great, like Walken or Glenn Close, later became film actors.
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One of the best things - and something I'm grateful for every time I walk onto a film set - is my six and a half years on Dawson's Creek and the experience it afforded me in how to get comfortable with the camera.
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Hindi film and southern film industries are doing well when it comes to technical know how. By and large, they are pretty similar and are close knit industries.
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When my agents tell me how much I'm going to be paid for a film, instead of quoting a figure, they'll say: 'You're going to make ten pairs of Christian Louboutins.'
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I've worked at this film festival in Telluride called the Telluride Film Festival. Been there since 2002. I used to make popcorn. I was an usher. Cleaned toilets, everything. Grew up there as a kid.
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I wrote Murder at the Windmill. And it was accepted and we made it and it was the first film I made with Danny Angel, well the only film I actually made... I made a lot of it at the Windmill itself.
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That is a big danger, losing your inspiration. When I work in film and television I try to do each take a little differently. I never want to do the same thing twice, because then you're not being spontaneous, you're just recreating something.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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I'm not coming from film school, I learned cinema in the cinema watching films.
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Going to the movies was a big event in my youth. My father would be the initiator – he'd have me put on a jacket to see a film.
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I am a method actor, but I'm also a film actor as well as a method actor. Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character.