Film Quotes
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Jen came first, and then they wanted to cast somebody that would... Kevin liked the idea of having a kind of The Ghost of That Character kind of haunt the movie in a way throughout, by having Raquel look so much like her. And also, it was sort of serendipity. I mean, she was also the best actress. I mean, as you can see Raquel has a pretty appealing, engaging kind of precocious, sparkly quality that's... it was just luck really that she happened to the film.
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The idea that a film is created in the editing room - it's only a certain kind of movie that's made in the editing room and it's not one that I really want to see.
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I'm just one of those people that if I sit down to watch a horror film, I put my hands over my face and I cry a lot and I don't see half of the film because I'm too upset.
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I like celluloid, I like film, I like the way that when a movie is projected it sort of breathes a little in the gate. That's the magic of it to me.
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Every film is hard to fund.
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I reckon I closed down at least two films companies, one of which was in Ealing in the mid 1950s.
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I want to play a variety of different characters in different genres of film.
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Because I trained in theater, I always leave a film shoot feeling like I haven't done anything, like I just sat in front of the camera and whispered, essentially.
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I am not going to do a film based on a bad scenario just to make a big Hollywood film or work with Hollywood stars.
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For a Tamil debut, I wanted to make sure the script is the right one. We are hopeful 'Bramhotsavam' will be that film.
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There are literally a thousand works with the title Malcolm X in them. There are over 350 films and over 320 web-based educational resources with the title Malcolm X, yet the vast majority of them are based on secondary literatures, that is, not on primary source material.
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Tom and I have a similar sensibility and experience. You know his dad was from Kentucky where I set the film, and so was mine. That's where he died. His mom's really important in his life and so is mine,
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I got five kids, and my oldest is a documentary film maker and camera man, and still photographer.
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A film engages you emotionally and intellectually.
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It's easy to make a film, but it's hard to make a career of being a filmmaker.
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I think I'll always be a better playwright than a pundit, but I believe that writers should be public intellectuals and that theater, even more than film, is a place of public debate.
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But the process of making a film is not glamorous. Certainly not my films.
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I did it [photojournalism] as something that was really rewarding to do, given the opportunity to express myself about something I cared about, and also to learn a lot by watching filmmakers I admired. In a sense, it was my film school. After doing it for a few years, I decided that the time had come to get it together and do some work of my own. So I stopped doing that and wrote some screenplays on speculation, because even though I wanted to direct, to direct you need a lot of money.
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You have to start with the notion that you pick the actor who's going to embody the role, the best person that you can find. If you don't start with that then it sort of defies the whole purpose of trying to make the best film that you can make.
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My name can raise money on a small-budget film.
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Usually, at the end of a film it's like I've finally gotten to know this person completely, and then we're done. That actually happened on the set of Twilight, and then it happened again on New Moon. Each time my character Bella became a different person, and I got to know that person and take her to the next level.
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Documentary film without nuanced journalistic sourcing risks being sensational, tendentious or broad-brushed.
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One day, I want to make a PG film.
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With a film, you know the beginning, middle and end of your character's arc. But on a TV show, you have no idea where they're going to end up.