Film Quotes
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But the process of making a film is not glamorous. Certainly not my films.
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Usually, at the end of a film it's like I've finally gotten to know this person completely, and then we're done. That actually happened on the set of Twilight, and then it happened again on New Moon. Each time my character Bella became a different person, and I got to know that person and take her to the next level.
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I love to act. And oh-so-love telling stories through film as an actor. Even on my 'days off.'
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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
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I love the Cannes Film Festival. From the lavish parties and events to the red carpet attire, this star-studded week-long event is where I get a lot of inspiration for hair and fashion.
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I'd love to do a film with Michael Fassbender. He's one of my heroes. I think he's absolutely amazing and I would love to do a project with him.
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Today we can say that at last the director writes the film. The image--its plastic composition and the way it is set in time, because it is founded on a much higher degree of realism--has at its disposal more means of manipulating reality and of modifying it from within. The film-maker is no longer the competitor of the painter and the playwright, he is, at last the equal of the novelist
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You ought to have a perspective when you're making a film.
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The first film role I deliberately chose to play after I came out was a raging heterosexual, John Profumo.
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My first experience on a feature film was with Shane Meadows on 'This Is England.'
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For a filmmaker, it's a rare chance to do a personal film on a big canvas.
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Wes Craven is obviously a horror film icon so I was definitely very interested in bringing something back to life that Wes had created.
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I got five kids, and my oldest is a documentary film maker and camera man, and still photographer.
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What I try to do is make sure that the directors I'm working with are on the same page and want to do the same kind of films. You can really protect yourself as an actor if you work with really good people. It can hide a lot of flaws along the way.
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So I was asked to do horror film after horror film, a series of about five, after that, and some of those were a little too gruesome. I wasn't too comfortable all the time in those. I didn't really care for them.
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If you catch me coming out of a film, when I'm emotionally involved, I can tell you at that moment why I like it – but to talk about it years later is not logical to me.
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It's easy to make a film, but it's hard to make a career of being a filmmaker.
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On a film set everyone is very cool. Well, blase really.
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There's a difference between watching a film and watching a bit of cinema and enjoying a film as a piece of cinema.
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This is unexposed film of Greenwich Village because nothing ever happens there.
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I miss animation very passionately. Not continuously, but every once in a while I would die to do another film.
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It's great to work in film and TV, and I love it, but there's nothing that can replace that instantaneous storytelling you get in theater.
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Nico was gothic, but she was Mary Shelley gothic to everyone else's Hammer horror film gothic. They both did Frankenstein, but Nico's was real.
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I'm just one of those people that if I sit down to watch a horror film, I put my hands over my face and I cry a lot and I don't see half of the film because I'm too upset.
