Film Quotes
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I'd love to do a film with Michael Fassbender. He's one of my heroes. I think he's absolutely amazing and I would love to do a project with him.
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Nico was gothic, but she was Mary Shelley gothic to everyone else's Hammer horror film gothic. They both did Frankenstein, but Nico's was real.
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This is unexposed film of Greenwich Village because nothing ever happens there.
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I've always been intimidated by the technicalities of taking photos, especially with a film camera - not just a point and shoot.
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It's great to work in film and TV, and I love it, but there's nothing that can replace that instantaneous storytelling you get in theater.
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I love to act. And oh-so-love telling stories through film as an actor. Even on my 'days off.'
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Today we can say that at last the director writes the film. The image--its plastic composition and the way it is set in time, because it is founded on a much higher degree of realism--has at its disposal more means of manipulating reality and of modifying it from within. The film-maker is no longer the competitor of the painter and the playwright, he is, at last the equal of the novelist
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In the film, I'm not very mobile, like in the space suit.
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I look for roles that allow me to immerse in different worlds, immerse in worlds that are different from mine. Then, when you finish a film, you're a different person. I look for that. I look to be impacted, to be transformed, changed by my roles. That's why I do this.
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AN ABSOLUTELY VITAL FILM. Exacting, enraging and revelatory. A clear, temperate and devastating account of high level arrogance and incompetence.
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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
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A wide screen just makes a bad film twice as bad.
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Wes Craven is obviously a horror film icon so I was definitely very interested in bringing something back to life that Wes had created.
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The Song Remains The Same is not a great film, but there's no point in making excuses. It's just a reasonably honest statement of where we were at that particular time. It's very difficult for me to watch it now, but I'd like to see it in a year's time just to see how it stands up.
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If you catch me coming out of a film, when I'm emotionally involved, I can tell you at that moment why I like it – but to talk about it years later is not logical to me.
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I think that two-dimensional film will always be here to stay because it always has its place, but 3D does too.
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I love the Cannes Film Festival. From the lavish parties and events to the red carpet attire, this star-studded week-long event is where I get a lot of inspiration for hair and fashion.
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I studied business and also studied film, then I graduated, and I worked at a network. I was able to use my business skills there - I was an associate producer for a little bit.
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Even if I set out to make a film about a fillet of sole, it would be about me.
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As I began making my feature films, it was a great adventure. It was about constructing something I saw in my head or I had designed on storyboards and capturing that on film.
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A small film from a small country, in Arabic with nonprofessionals: It was practically impossible. Just to make it was like a dream to me.
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On a film set everyone is very cool. Well, blase really.
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I think that every male actor fantasizes with a boxing film.
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With a film, you know the beginning, middle and end of your character's arc. But on a TV show, you have no idea where they're going to end up.
