Film Quotes
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I think that it's important for a film that's in 3D that the filmmakers create the movie from a staging and scene planning standpoint with the dimensional space as one of their storytelling components.
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When we shot 'The Lord of the Rings,' we had special permission to film in wild areas of New Zealand that could be accessed only by helicopter. They would drop us off and we would work all day, and they'd pick us up and take us out again.
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Transitioning to being an unemployed film actor is different, but it's fun and I've been looking forward to it for a while.
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On my fifth film, it was then that I stopped dancing.
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Film and TV and stuff like that was something that I wanted to do when I was really, really little; like, I remember I used to do these plays with my cousins. We used to do Michael Jackson performances, and I would be Michael.
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The [film] business is run by men, and they're basically interested in their own species, and they're not so interested in women belonging to the human race.
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No matter what lens you use, no matter what speed the film, no matter how you develop it, no matter how you print it, you cannot say more than you can see.
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I do read some of the scripts from America and, even though the themes or subject of the film is very interesting, and some of the scenes are very interesting, there is a tendency that they have to explain everything. There will be no dilemma.
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It would be great to make a movie that had the style of a great '30's film.
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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Stuart Blumberg is suddenly an authority on the modern - or, dare we say, post-modern - family, thanks to the critically-acclaimed debut of his new film, 'The Kids Are All Right.'
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It isn't glamorous until after the film is finished, and you are at the premiere and getting your picture on the cover of magazines.
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In the film business, it's basically honor among thieves.
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Film is like a colony and there are very few colonists.
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The gremlins are clearly the ones have the most fun in the film, trashing the town, going to the bar, smashing things, etc. It's all gleeful chaos, which makes the movie fun.
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'Mafiosa' was written by Veronica Russo. It's her first time making a film, and I'm really proud of her because this woman has a full-time job, and she decided one day, 'You know, I want to write a film, and I want to make it.'
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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I grew up thinking there was something called 'independent film,' which I wouldn't necessarily have had access to if there wasn't Sundance.
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On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
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Life is more important than 'what film I do next.'
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A film that is bleached tends to have a more realistic quality.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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Working on 'The War Room' was a thrill, not only because we were given such exquisite access to the nerve center of Bill Clinton's first presidential campaign, but for me personally, it was so exciting to be producing my first film and working with documentary filmmaking legends D.A. Pannebaker and Chris Hegedus, who were the film's directors.
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The first two projects I did out of my dorm room were mock film soundtracks.
