Film Quotes
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When we shot 'The Lord of the Rings,' we had special permission to film in wild areas of New Zealand that could be accessed only by helicopter. They would drop us off and we would work all day, and they'd pick us up and take us out again.
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I always take hundreds and hundreds of pictures. I used to work for 'National Geographic,' and they gave us a lot of film.
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Kenya doesn't have much of an infrastructure for hosting a film.
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We have a documentary film festival in Mexico. It's really original. It's called Ambulante, and it's a film festival that travels around several cities in Mexico.
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Stuart Blumberg is suddenly an authority on the modern - or, dare we say, post-modern - family, thanks to the critically-acclaimed debut of his new film, 'The Kids Are All Right.'
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Life is more important than 'what film I do next.'
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Many of my favorite films, if someone were to tell me simply what they're about, I probably wouldn't be that interested. Plot often has so little to do with what's at the heart of a film.
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I've directed independent film.
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I would love to go to film school.
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No matter what lens you use, no matter what speed the film, no matter how you develop it, no matter how you print it, you cannot say more than you can see.
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A lot of times when I've been offered film series and stuff, if they shoot in Los Angeles, I lose interest.
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In 1913, the noted German actor and director Paul Wegener was making a film in Prague when he heard the legend of Rabbi Loew, who created a golem to protect the inhabitants of the Prague ghetto from persecution.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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I grew up thinking there was something called 'independent film,' which I wouldn't necessarily have had access to if there wasn't Sundance.
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Yeah, Dundee was great. It was a great film. I fell in love with my Mexican wife on Dundee.
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Transitioning to being an unemployed film actor is different, but it's fun and I've been looking forward to it for a while.
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I do read some of the scripts from America and, even though the themes or subject of the film is very interesting, and some of the scenes are very interesting, there is a tendency that they have to explain everything. There will be no dilemma.
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Between the ages of 18 and 20, I made three hour-long films. One was a superhero film called 'Carbolic Soap.' One was a cop film called 'Dead Right.' And the other was called 'A Fistful Of Fingers.'
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A lot of film stars are just playing themselves in different frocks.
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Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
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Film and TV and stuff like that was something that I wanted to do when I was really, really little; like, I remember I used to do these plays with my cousins. We used to do Michael Jackson performances, and I would be Michael.
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It's such a delicate business, the structure of film, isn't it? What happens if a scene is not there but two minutes later? It's an eternal, never-ending search, actually, which is very exciting. It really is.
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Theatre has always been better disposed to colourblind casting than telly or film. Given that most television is contemporary, and it reaches 56 million people, I am disappointed there still isn't more representation.
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I also have a film coming up called Breaking Up, and my part in that was not written for a Latina, and my character is not particularly pretty or sexy or exotic.
