Film Quotes
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People ask me about fighting in real life and, honestly, it wouldn't look as graceful as it does in film and TV.
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Working on 'The War Room' was a thrill, not only because we were given such exquisite access to the nerve center of Bill Clinton's first presidential campaign, but for me personally, it was so exciting to be producing my first film and working with documentary filmmaking legends D.A. Pannebaker and Chris Hegedus, who were the film's directors.
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Our entire film fraternity should be proud of 'Baahubali.' These are the kind of films that are not made very often.
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On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
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Transitioning to being an unemployed film actor is different, but it's fun and I've been looking forward to it for a while.
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Yeah, Dundee was great. It was a great film. I fell in love with my Mexican wife on Dundee.
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I do read some of the scripts from America and, even though the themes or subject of the film is very interesting, and some of the scenes are very interesting, there is a tendency that they have to explain everything. There will be no dilemma.
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No matter what lens you use, no matter what speed the film, no matter how you develop it, no matter how you print it, you cannot say more than you can see.
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Film and TV and stuff like that was something that I wanted to do when I was really, really little; like, I remember I used to do these plays with my cousins. We used to do Michael Jackson performances, and I would be Michael.
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We have a documentary film festival in Mexico. It's really original. It's called Ambulante, and it's a film festival that travels around several cities in Mexico.
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I will only do a Hollywood film when there is something special offered to me.
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Theatre has always been better disposed to colourblind casting than telly or film. Given that most television is contemporary, and it reaches 56 million people, I am disappointed there still isn't more representation.
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I've directed independent film.
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Film is like a colony and there are very few colonists.
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Market forces impose certain rules before a film can actually get made.
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Between the ages of 18 and 20, I made three hour-long films. One was a superhero film called 'Carbolic Soap.' One was a cop film called 'Dead Right.' And the other was called 'A Fistful Of Fingers.'
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The [film] business is run by men, and they're basically interested in their own species, and they're not so interested in women belonging to the human race.
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A lot of film stars are just playing themselves in different frocks.
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It's such a delicate business, the structure of film, isn't it? What happens if a scene is not there but two minutes later? It's an eternal, never-ending search, actually, which is very exciting. It really is.
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In the film business, it's basically honor among thieves.
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I think that it's important for a film that's in 3D that the filmmakers create the movie from a staging and scene planning standpoint with the dimensional space as one of their storytelling components.
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Making a film that's supposed to be fun to watch is really hard - that's the weird irony of it.
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Film is much more visual, a scene is typically a lot shorter, you're dealing with a lot more characters, a lot more locations, and you're able to rely on things that you just can never do on the stage.
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So there was one point I thought I was gonna lose it, but once I get on something I have to finish it; I just kept persuading them and they turned around. One good thing was the international guys really stood behind this movie, they thought they could support this film. So these guys step up and that's really good, and then they turned around.
