Film Quotes
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The camera can film my face but until it captures my soul, you don't have a movie.
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I've always loved film, and it started with Pixar movies.
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Making your first feature film is actually impossible.
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It isn't glamorous until after the film is finished, and you are at the premiere and getting your picture on the cover of magazines.
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I have been in the film industry for 35 years, and everyone, including the spot-boys, will vouch for my character.
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'Heartbeats' is a film on people magnifying and subliming reality when they're in love. Hence the overstylized look, the aesthetics, the robes, the dresses, the vintage, hipster-ish look: All of this is voluntary. I'm not a hipster. I'm not!
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Some fellow from the Third World kept hammering for prizes for a Communist film which was rotten.
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When I was a film critic, the reason I kind of found it disenchanting was because the things that I wanted to talk about were the ideas in the movie, the theme of it, and contextual elements that weren't necessarily central to the story. But the only thing people really wanted was a plot description and how many stars I'd give it. It didn't matter how much effort you put into writing a piece, they looked at it solely as a consumer's guide toward going or not going to films.
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Boyapati is one of the few directors who can pull off a masala film like 'Sarrainodu'.
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When I saw rappers in the '90s cameo in films - all of those '90s rappers - it seemed like whenever you chucked a rapper in a film, they could just act. It seemed like all rappers could act.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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Many of my favorite films, if someone were to tell me simply what they're about, I probably wouldn't be that interested. Plot often has so little to do with what's at the heart of a film.
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When we shot 'The Lord of the Rings,' we had special permission to film in wild areas of New Zealand that could be accessed only by helicopter. They would drop us off and we would work all day, and they'd pick us up and take us out again.
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On my fifth film, it was then that I stopped dancing.
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I never had any film training. I went to Northwestern. I studied education and theater. So it was all theater training.
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I always take hundreds and hundreds of pictures. I used to work for 'National Geographic,' and they gave us a lot of film.
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I always like to look at things and think, 'Would I be proud to bring my grandma and grandpa to come see me in this?' And if I wouldn't want them to see it, then it's not something that I should immortalize myself on film in.
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In 1913, the noted German actor and director Paul Wegener was making a film in Prague when he heard the legend of Rabbi Loew, who created a golem to protect the inhabitants of the Prague ghetto from persecution.
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I knew nothing about martial arts. And I don't really like it! But in the film, I not only had to pretend that I knew all about it, I had to be the best at it. That was very difficult.
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I would love to go to film school.
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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It would be great to make a movie that had the style of a great '30's film.
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Working on 'The War Room' was a thrill, not only because we were given such exquisite access to the nerve center of Bill Clinton's first presidential campaign, but for me personally, it was so exciting to be producing my first film and working with documentary filmmaking legends D.A. Pannebaker and Chris Hegedus, who were the film's directors.
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People ask me about fighting in real life and, honestly, it wouldn't look as graceful as it does in film and TV.
