Film Quotes
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I love working with film, whether it's the technical side, the acting side, or the musical side.
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I go back to many films that I really love. Some Bresson, some Godard of the early times, the Cassavetes of those years I love. And the early Wim Wenders. But my own films I don't watch, unless I need them.
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The first guy I really liked and was kind of obsessed with and had to seek out and find more of his films was Jean-Paul Belmondo. He was the main guy that I was obsessed with.
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People ask 'How does doing a film compare to doing an ad?' Well, when you're doing a commercial you don't have to sell tickets. You have a captured audience. Which is actually completely rare and great; it gives you a lot of freedom. When you make a film, you have to do advertisements for the film.
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When I'm shooting films, I write and play music when I come home.
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For me, there's one film at a time, and my only benchmark is that my current film should be better than my last one, and I've made sure of that. If you Google the trailer of my first film - which I request you not to - you'll see the vast change in my approach towards my profession and the slow gain of maturity in performing.
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Something was being applied to the ball quite obviously and he must have known it. It's quite conclusive on film.
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It's kind of wild and wonderful that 'West Side Story' continues to have a life after all these years. And when you see young people who are really engrossed by this film, that's so beautiful.
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I think where Playground is heading is deeper into that marriage between stage, film and television, with the increasing number of people in the film business working in television, obviously something that we were very influential in starting and doing at HBO. And I think that that's the focus of where I see the company moving forward, continuing to explore that intersection of all that talent.
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The positive thing is that today we can realize that a Mexican film it is positioned in the top 5 of the box office during more than one month and that Mexicans are taking into consideration that Mexican films can be enjoyed with the family, instead of going to see Transformers and that our films looks like something that are necessary to support.
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Watch your life as if it were a film. Absorb everything. What you see, hear, and feel will stamp every alphabet of your work.
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If you do a fifteen hour day on a film, there's a lot of time standing around but at the end of that, you want to go home to your hotel room and have a bite to eat, watch a movie and go to bed.
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I'm not a craftsman of graphics or art or film. I'm more of an idea generator and manufacturer.
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My cameraman and I devised a method, which we started using from my second film, which applies mainly to day scenes shot in the studio, where we used bounced light instead of direct light. We agreed with this thing of four or five shadows following the actors is dreadful.
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I think, to go to the bottom of it all, that the films I have made and my kind of film-making is a hybrid type of film-making - in that it isn't American, it isn't Italian.
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Even with some of the best action films like 'The Bourne Ultimatum,' which is a great action film with a great chase sequence, so much of it is computer-generated. But that doesn't bother me. I think it works. It's fantastic.
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Well, first of all, making films is a collaborative process. You need people. You need people you trust and love and who are your friends. People you can work with.
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There's certainly enough writers and directors and actors who secretly aspire to make movies and films that agree with the center-right perspective, and I would argue the majority perspective in America.
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Michael Jackson changed the format and history of music. His videos were films. He was the first who floated on the stage and changed the concept of a musical performance. He created something that's still the basis of a lot of what's done today.
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No matter how widely spread out the films are, how different, you still are you.
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Every screenwriter worthy of the name has already directed his film when he has written his script.
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The father-son thing, that's a separate thing. This film [Forsaken] was not about that. This was a film about two actors wanting to try and tell a story... and taking advantage of the fact that we looked like a father and son.
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In a film score, the last thing you want to do is take people out of the movie. The music is secondary. In opera, the music is the main event.
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My first movie was this independent that I did on the Erie Canal in 1995, called Erie, that I don't know if you could even get, actually with Felicity Huffman. And then from that I did this film that was eventually called The Broken Giant later that fall. And then I kind of started getting into doing pilots.
