Film Quotes
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"I got used to it quickly, because it's an easier job than what I was doing. I was making four or five films a year, mostly independent films, around the world. Out of the 41 films I've done, maybe seven of them have been studio films, I had an easy gig. So I would go from film to film. And there would be a new crew, new actors, new directors, new producers, new locations, some much worse than others. I'm not complaining about the work; I'm just saying that having a nice trailer on the set, a nice hotel, and a studio and a network behind your show is a lot easier than wondering why your tent is leaking.
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Always drawn to the theatric, Bowie also performed in stage productions of "The Elephant Man" and just recently collaborated on "Lazarus," an off-Broadway musical that's a sequel to his 1976 role in the film "The Man Who Fell To Earth."
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It's tough to make funny films. And the truth is, with this process, especially if you write your own movie, then you're giving three years of your life to it. And so, I just have to be sure that when I embark on it that I'm happy to think that in three years' time I'm going to be sitting in a room on the tenth floor of an odd office building at Ginsberg Libby talking about it. So I'm keen not to jump into it too quickly and just make sure it's something that I really want.
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Thank God for theater and film and television and my very, very, very lucky life.
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Ive never seen a more terrifying film than 'The Bababook'. It will scare the hell out of you as it did me.
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I think every film I make that puts characters in jeopardy is me purging my own fears, sadly only to re-engage with them shortly after the release of the picture. I'll never make enough films to purge them all.
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The director is the only person on the set who has seen the film. Your job as a director is to show up every day and know where everything will fit into the film.
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The process of doing a play is an organic one and the process of doing a film is totally un-organic.
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John Barry was the first film composer I was aware of. As a teenager I owned several of his Bond soundtracks.
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Film is an oversimplification of things. That it really boils things down and makes them too simple.
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[When] Johnny Mnemonic was coming out and I realized that all the kids that worked in 7-11 knew more - or thought they knew more - about feature film production than I did. And that was from reading Premiere, that was from this change that came from magazines that treat their readers as players. Magazines that purport to sell you the inside experience.
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My film is not a movie; it’s not about Vietnam. It is Vietnam.
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Any film which views the darker side of life, which is death with a sense of humor, is very much to my taste.
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When i've done camera test, after we've shot and I've seen the monitor with the glasses (wearing a Kimono) and looking by myself in 3D. Oh my god. Especially for a Samurai film. I've never seen that. It's kind of a culture shock.
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The film is a romance with songs and dances, aimed at a family audience.
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Treat your career as a business. Invest your earnings into good tools that can enhance your business. Film businesses are the same as non-film businesses. Ploughing part of your earnings back into your filmmaking business would grow career exponentially.
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I learned that you have to say that you're a filmmaker. You're not a screenwriter; you're not a director for hire. You've got to take charge. You're a filmmaker, and you're going to make a film.
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You see, the interesting thing about books, as opposed, say, to films, is that it's always just one person encountering the book, it's not an audience, it's one to one.
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I'm ready for all forms of dialogue about the film The Conquest. There will be a lot of political talk, but I don't think the film itself will be scandalous. For the French, there are so many emotions relating to Sarkozy and politicians in general that I think the film will generate a lot of passion, whether it be negative or positive. Above all, it's a fictional film. It was important not to make a documentary and to really pay attention to the images. From the choice of the actors to the mise en scene, the film is completely cinematographic. It's not just a boring political movie.
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There's a way in which I feel like, when you're on an enormous film and there's an enormous crew and there are three cameras and there are like 20 setups for every scene, first of all, it's very... I find it very intimidating. And it's also sort of deadening in a way.
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Keanu Reeves learned a lot, respecting the culture. I was surprised when I first met him. He knew a lot already and he learned a lot. And also he learned Japanese. It's incredible. On the set, switching between the Japanese and English, even for us, is very hard. It's complicated. But the first time Keanu spoke in Japanese it was a very important scene between us, and more than the dialogue's meaning, I was moved. His energy for the film, completely perfect Japanese pronunciation. It was moving, surprising, respecting.
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Bachchan has been in the film industry over 35 years and he is the real king. There are many who are around for 15-20 years and like to call themselves king. There is only one king and he is Amitabh Bachchan
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Film seems to be a medium designed for betrayal and violence.
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I don't look back or analyze my films. I just make them. It's for someone else to look at.
