Film Quotes
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Especially for this film 47 ronin there's a nice mixture between western and eastern. So Ronin wearing the boots, like Western style. It's a nice mixture.
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Honestly, and seriously, I know I have to do a Telugu film. It was my grandmother's dream to see me in a Telugu film before she died. I couldn't fulfil her dream before she passed away, but I don't want to let go of it, either.
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I'm not comfortable with walking the red carpet in a tuxedo and seeing all the women with their boobs pushed up and all the men dressed as penguins - particularly when the subject of your film is the nature of violence and humanity.
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By drawing or exposing two or more patterns on the same bit of film I can create harmony and textual effects.
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When you are proud of something you have done, and you have made a film you feel has merit, and it's found an audience and is critically well received, that's a pretty pleasurable place to be. I mean, you don't want it gathering dust at the bottom of someone's DVD collection.
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It's only happened to me once crying in the end of the film - the end of Forrest Gump. I think it's sad because the moral of the film is that you can have no brain whatsoever and still make it in this world. That made me terribly depressed.
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Documentary film is the one place that our people can speak for themselves. I feel that the documentaries that I've been working on have been very valuable for the people, for our people to look at ourselves, at the situations, really facing it, and through that being able to make changes that really count for the future of our children to come.
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I'd go from film to film and almost detach from one world and jump in another. I was living as these people and not having a self. I didn't know who I was. And things just get really dark.
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When I finish a film, I like to drastically change my appearance. I get sick of looking at the same thing in the mirror for months at a time. So when a film's over, I'll do something like shave my head.
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The differential between the bubble we live in — which is ‘ordinary life’ — and the reality out there is almost as heavy as what is being depicted in a film like ‘the Matrix’. It could make you puke to make that step towards finding out what’s really going on.
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I would define independent film as a movie that is not financed by any of the smaller film companies. Because then, those are movies that in all likelihood are made without stars. And then they have to rely just on the material.
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I think every film I make that puts characters in jeopardy is me purging my own fears, sadly only to re-engage with them shortly after the release of the picture. I'll never make enough films to purge them all.
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I've always known that I've wanted to write, but I always saw myself doing that in the context of something other than film, so it was a really beautiful and kind of perfect moment in my life when I realized that I could combine this idea of wanting to write and tell my own stories with the environment I had grown up in and knew well - that I could make film as opposed to writing being a departure from what I knew.
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I don't believe in inspiration that arrives like a bolt from the blue ... It seems to me that the more motivated I am by what I film, the more objectively I film.
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There are a lot of filmmakers I love whose work doesn't inspire mine at all. For example: Quentin Tarantino. From his films you can see that he has a wicked sense of humour, and I love that!
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In film, I don't think I'd try directing. Maybe one day, but I'd certainly want to go to film school or something before I tried to do something like that. That would be quite scary.
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Guys have been having a lot of questions about whether or not I can play man-to-man, so I've been watching a lot of film lately. I'm trying to study tendencies of receivers that are already in the NFL, so I can have a jump on them once I get to that next level l so I can know what to look for and what to be prepared for.
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There are many books that I love dearly, and I've seen many televised or film recreations that I just haven't thought were up to scratch.
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Lord of the Rings was something I always wanted to do. I read the book when I was about 25, and I was always hoping if it was ever made into a feature film that I would be involved in some way. And then I finally got it, and I was over the moon. It was fantastic news.
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I only noticed this after I had finished the film 'The Bad Batch,' and watched it again a few months later... Arlen, main character, is kind of like a shark because she keeps on moving forward. I do feel that in modern society that still is the best way to survive.
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Unless it's done superbly, as in the Japanese film Gate of Hell, color can be a very distracting element.
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Whether it's one scene or 15 scenes in a film, whether it's the lead or a cameo part, if I don't find it interesting, I tend not to do it. You never really know what it is. It could be a one-scene part. I remember I read the one scene in Crash and was asked to do it. I was like, "Absolutely!" There's no formula for how something has to be. I always try to keep it that way.
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That's another great thing about Think Like a Man picture. The cast is predominantly African-American, but color is never really an issue in the film. It's rarely brought up since, at the end of the day, these guys are going through universal relationship issues that anybody can relate to. So, while the characters like "The non-committer," "The Player," and "The Dreamer" might be recognizable as common stereotypes, color isn't involved.
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You have to contort your body in a certain way to hit a low note. When you're on film, you can't. So you do, in a sense, get to hide behind your voice, which is nice.
